My first piece of 2021 has returned from the photographer, signaling it is well and truly finished. Although it was a bit of an engineering puzzle compared to all my other little houses, who doesn’t welcome a good challenge at the start of a new year?

When We Emerge ©2021 Elizabeth Fram, Stitched-resist dye and embroidery on silk, with buttons and foraged branches, 21H x 12W x 10D inches  Photo credit: paulrogersphotography.com

Since the coronavirus took hold, books have been a refuge for me; this piece is a nod to that fact. In addition, inspired by a set of Christmas matryoshka dolls that are part of our holiday decorations, I wanted to reference the joyful surprise of uncovering something unexpected and special within an outer shell.

When We Emerge, detail © 2021 Elizabeth Fram Photo credit: paulrogersphotography.com

This piece opens like a book to reveal a smaller house within that depicts a diverse crowd of people on that proverbial sunnier day we all anticipate so hopefully. It conveys that we will get through this dark period, and we’re doing it together.

When We Emerge, detail ©2021 Elizabeth Fram Photo credit: paulrogersphotography.com

The buttons, while not exactly a silver lining, are a reminder that beauty is 90% perspective and that positives often lie hidden within the gloom. Despite the challenges, my family and I have had much to be grateful for during this time. Not least among those advantages, I count on art-making because it has kept my mind and hands busy through all the uncertainty. It has been no small boon to be able to process the varied emotions of the past year via these little structures.

When We Emerge, back view ©2021 Elizabeth Fram    This shot of the back of the piece shows that the threads used to sew the buttons to the inside were carried through and left hanging on the outside, suggesting the prickly nature of the past year, and to some degree, the virus itself.

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Book Report

I’ve set a goal of reading at least one non-fiction art/business book each month this year. Written in 2006 by architecture critic for the New York Times Michael Kimmelman, The Accidental Masterpiece – On the Art of Life and Vice Versa was my choice for January. Kimmelman draws a connection between art and daily life as experienced by all of us as regular folks — not as a phenomenon meant only for the elite. While discussing such subjects as creating one’s own world*, collecting, following a routine, and appreciating the beauty and exceptional qualities to be found in the ordinary, he makes the point that it’s not a stretch to imagine that our days are often steeped in artistic endeavors and influences, even within our outwardly most humble actions. Fostering the ability to recognize what that idea means individually to each of us, and how that concept manifests itself, is a path toward enriching each day.

Generally fascinating, although I felt a few of the chapters could have been shorter, Kimmelman unpretentiously offers some thought-provoking and relatable musings about how the pleasures of art are within reach for everyone.

*Coincidentally, and in the same vein as Kimmelman’s ruminations, a new subscriber sent me a link to Ann Patchett’s moving essay These Precious Days which appeared last month in Harper’s Magazine. It’s not short, but it is oh-so-worth reading. It will move and uplift you, and I bet, like me, you will finish it feeling grateful that there are those who have the ability to translate even the direst of circumstances for our consumption, helping us to digest them and still find beauty.

Inspiration

I come across many wonderful artists on Instagram while I’m scrolling by myself. There are a few that make me want to exclaim “Wow! Look at this!” but I’m usually alone at the time, except for Quinn. Then I though of you. I’m going to try to remember to share the most exceptional of what I find at the end of future posts.

© Khaled Dawwa, bronze

@Khaled_dawwa
Khaled Dawwa of Clay and Knife is a Syrian-born artist who has been based in France since 2014. A short post about him on Hi-Fructose, that incorporates images of his work and a bit of his backstory, states that he is “influenced by his own experiences (which include being)…injured in a 2013 bombing, then arrested, imprisoned, and now exiled.”
Powerful stuff.