Tag Archives: Stephen King

Things to Smile About

Cued by the trees, which seem to be changing color by the hour, I’ve been taking time to just soak in and enjoy the sights around me this season. Below are a few of the things that have caught my eye in the past couple of weeks.

Art at the Kent – “Holding”

There are so many wonderful artworks in this show! These shots barely skim the surface of the 22 artists exhibiting, or their work. I will be back again (and again) in an effort to capture more before the exhibit closes on October 12. I hope you can make it at least once.

Olaf Saaf

Soapstone Guy with Bristles ©2021 Olaf Saab, Soapstone, paintbrush bristles

Usually I am careful to document the labels which fully identify works that I am photographing. I was so excited moving through the exhibit that I forgot myself and, other than the piece above, can only provide the name of each artist for the works below. This show is that good. However, I’ve linked to each artist’s web presence, if available.

James Patterson

James Patterson

The preserved patina of ancient paint, wallpaper and exposed lath within the Kent Museum building all work in concert with the art on display. Below are a few examples of my pieces in the show. It makes my heart sing to see the thoughtful way they are presented in conversation with their surroundings and others’ work.

Fram, Taking Pause

Taking Pause, ©2014 Elizabeth Fram, Paint, stitched-resist dye and embroidery on silk, 21″H x 33″W

Fram, Pick Me Up

Pick Me Up © 2017 Elizabeth Fram, Stitched-resist dye and embroidery on silk, 12″H x 16″W    The curation of “Holding” is exquisite. For instance, consider the exchange between my stitched cup and Stephen Proctor’s clay vessel outside.

Fram, Dawn Patrol

Dawn Patrol ©2012 Elizabeth Fram, Paint, stitched-resist dye and embroidery on silk, 34″H x 15″W   The colors of this piece echo the landscape through the window.

Fram, Ulysses' Wave

Ulysses’ Wave ©2014 Elizabeth Fram, Stitched-resist dye, paint and embroidery on silk, 19″H x 38″W   This piece, a visual narrative of the gradual, then sudden changes I saw in my mother as she struggled with the beginnings of dementia, reflects both the exuberance and the memento mori quality of the lush floral arrangement sitting to its right.

Québec City

The following on-the-fly shots in Québec weren’t necessarily inspirational and have no particular redeeming quality other than they made me smile. I think we could all use a bit more levity these days, don’t you?

Trois Garçons

 

Harvest Cannon

The last in a lineup of cannons that are part of the Fortifications of Québec and which highlight this area’s  past military function as a defensive battery, the irony of this vase tipped on its side with hands offering flowers and wheat from its opening is delightful. Zoom in to see that the treads of the tires are leaving tracks of roses. Having neglected to find any info near this sculpture, I searched the internet but came up empty regarding the artist. However, I did discover that In 1617, the first French family to settle in the colony — Louis Hébert, his wife Marie Rollet, and their three children established their farm on this site atop Cap Diamant which is today Montmorency Park. They grew cereal crops, vegetables and different medicinal plants.

Cat weaving

 

Slatted Window

 

Exciting Macarons

 

Creature

One more thing that’s making me happy: I’m rereading Stephen King’s On Writing: A Memoir of the Craft. Per his suggestion, I edited out any adverbs that had snuck into this post 😊. Ha! I haven’t gotten to the part where he’s horrified by emojis.
Regardless of what your creative practice may be – or if you even have one – you will enjoy this book. Not to worry – it isn’t remotely scary.

5 Candles

I’m trying to wrap my brain around the fact that this marks my 260th post and the close of five years of faithfully writing and posting to Eye of the Needle every single week since November 29, 2014. A huge shoutout to my son who encouraged me to take the leap; I’m not sure I would have ventured into the blogosphere without his gentle nudge.

Queen 1

© Elizabeth Fram    Work in progress: Tracking the second half of my double-arched piece

If you’ve ever toyed with the idea of starting a blog about your art, or even some sort of writing practice, consider these benefits:

  • Practicing anything leads to improvement, and writing regularly has taught me an immeasurable amount about expressing my ideas — both on paper and verbally. And perhaps even more importantly, it has helped me appreciate ruthless editing.
  • Those who tout the advantages of writing about one’s art aren’t kidding — it really does improve the ability to pin down and coherently articulate your process and the ideas behind your work. This is key when talking to others, especially if what you make isn’t as readily understood as the art of an oil painter or a stone sculptor.
  • Writing impels one to structure and organize a thesis, a potentially tall order for those of us who think visually. Writing helps solidify the bigger picture (idea) behind your art, making the tricky decisions about which direction to take next, if not clear, much easier.
  • Without this blog I wouldn’t have discovered a fraction of the interesting artists, books, articles, and general information about art that I share. My research has led to a feeling of connection with the art world and its larger community.
  • Eye of the Needle has also created a sense of personal camaraderie. Your comments are always welcome and much appreciated. I thoroughly enjoy reading/hearing about your experiences and recommendations.
  • And finally, I never dreamed how much I would enjoy the process of writing (and rewriting) itself. Reading what writers say about their own art helpfully overlaps with other creative processes. Books like Stephen King’s On Writing, Anne Lamott’s Bird by Bird, and Eric Maisel’s A Writer’s Paris have provided info and ideas that have bled across disciplines into my own practice.

But (isn’t there always a but?) that said, I have had to come to grips with the huge amount of time (on average 8 hours per week) this commitment demands. I’d like to spend more hours drawing and on my textile work, neither of which could be considered particularly “speedy” activities. So I’ve decided to make some gentle changes. The transition will be a work in progress; please bear with me.

Queen 2

© Elizabeth Fram

I am going to take the month of December off from writing but will still be uploading links to one post from my archives each week. If you’re anything like me, it may be as though you’re reading it for the first time. 😊 I will still leave the door open to the possibility of sharing  information I may come across in my reading that I think might be of interest or of help to you.
All of which means you will still be getting your regular Friday email from me.

Queen 3

©Elizabeth Fram    Next step: planning how to attack to smaller pieces flanking the queen while balancing all with the other side. It looks a little wonky now, but we’ll see what happens.

When January rolls around, I’m hoping to have a clearer idea of how to proceed. It’s likely I will trim back to 2 written posts per month, while keeping you abreast of my drawings and textile work as they unfold. We’ll see.

As I post this on Thanksgiving Day, it seems particularly appropriate to say thanks so much for being here up to this point, and I hope you will stick with me as Eye of the Needle moves forward.