Tag Archives: John Snell

Conquering Isolation

We’re all adjusting.
It may be grasping at straws, but the upside to the challenge of social distancing and remaining at home is that we’re shouldering this together … and virtual cocktail parties are becoming de rigueur.

Dyed

As I promised last post, the following photos show my progress to date, in living color. This shot is of the piece still folded, pleated, and stitched, fresh from the dye bath.

Whole Cloth

The stitches removed and the piece ironed open, reveals the dyed pattern. Note that the colors lighten significantly as the fabric dries – a point I have to keep in mind while dyeing.

I feel guiltily lucky that my studio is at home so that my work hasn’t been upended or interrupted. It’s made it much easier for me to forge ahead and to more easily distract myself through the inevitable waves of anxiety we all seem to be experiencing to some degree. Nigel Cheney, an artist whose drawings and stitched pieces always surprise and amaze me, wrote recently, “I live a life of near perpetual self-isolation already…”, a fact that is largely true for many of us whose work requires large spans of solitude.

Dyed Stitching

Because the image was stitched with silk thread, it too absorbs the dye with the silk fabric ground, largely obscuring the image from view.

Outline

Selective outlining starts to bring her forward. Varying the line between solid and dashed is a simple but effective way to suggest both depth and translucence.

For the most part, it seems that other artists I speak with aren’t feeling the pinch quite as acutely as those who are usually out and about, interacting with the wider world as a necessary part of their day-to-day. But that isn’t to say we aren’t just as much in need of helpful resources to get us over this hurdle.

Fill-In

As I fill areas in with stitch and work to suggest form, I constantly lean on what I’ve learned, and continue to learn, via cross-hatching in my drawings. Although there are obvious differences, there is also a strong relation between the patterns of marks that build up, whether via thread or ink.

Eyes and Mouth

No question, a corner is turned when the features are fleshed out and color is added. The piece really began to come to life once the irises of the eyes were added.

The arts community is pulling together on many levels, demonstrating that learning and culture refuse to kneel to COVID-19. What follows are some resources that surfaced this week. I hope you’ll find something in this list that’s helpful to you as you cope.

Color

I am working back and forth between the figure and the background and still have a long way to go.

The Vermont Studio Center (grants, emergency funding, online events and discussions) and Vermont Arts Council (general resources for the creative sector) are compiling ongoing lists of resources for artists and writers affected by the coronavirus. Each of these links will take you to those pages.

I’m sure others of you also received an email from Andrew Simonet  of Artists U entitled “Artists, This is What We Train For”. If you didn’t, please follow the link to read what he has to say and then take it to heart. As an artist, you have something unique to offer during times of crisis.
(But that said, don’t let it stress you out. Here’s a humorous response to the currently popular tidbit that Shakespeare wrote King Lear during a time of plague.)

Danny Gregory and Sketchbook Skool are offering a free Coronavirus Creativity Guide, including live drawing sessions every weekday on YouTube and FaceBook.

Urban Sketchers London, who by definition usually draw outside on location, have posted the Thirty Day Indoor Sketch Challenge with 30 proposed prompts. If you’ve been meaning to begin a sketch habit, this a great time to start.

Museums and galleries are closed and observing social distancing, but you can tour some of the world’s most famous museums for free without leaving home. No crowds or inconvenient hours to get in your way.

Alyson Stanfield is adapting her Art Biz Podcast to the current situation with new episodes specifically geared toward helping artists weather the COVID-19 storm. The most recent episode, “Structure Your Days to Be in Control of Your Art Business Now”, discusses adaptable work habits that take into account the challenges that being confined to home may have on your practice.

Need a lift? On his blog Still Learning to See, Photographer John Snell shares his view of the world through stunning photographs and insightful musings. There’s no better time to be reminded of the beauty and wonder that surrounds us each day, while keeping in mind our shared humanity.

And finally, a good book is always a great way to escape the news cycle. I am currently deep in The Golden Thread – How Fabric Changed History by Kassia St. Clair, and am fascinated by the details she unearths about the importance textiles have held throughout history and across cultures.

Please check in to let me know how you’re doing. I’d love to hear what coping mechanisms you’ve put in place and the bright spots you’re discovering along the way. And there’s always the question: what are you reading?

We’re all in this together.
Be well, be smart, and be safe.

Art & Family

This has been a week to enjoy family.

Our daughter and my MIL have been visiting, which has spurred meet-ups with my father and one of my husband’s cousins as well. All four are highly creative by nature, so there has been no want for interesting conversation and ideas.

PathofLife2

Head by Ria Blaas, one of many in “Community”

One of our field trips brought us to the Path of Life Sculpture Garden in Winsor, VT. Created by Terry McDonnell, who was inspired by Tully, Ireland’s famous Japanese garden “Life of Man”, it’s a lovely, wide-open space nestled in the rolling landscape by the side of the Connecticut River. Sculptural forms made from stone, wood, and even berry bushes reference various stages we all experience in the circle of life.

PathofLife1

“Union”,  with the “Maze of Adventure” in the upper background behind it

To add to the fun, there is a full-size hemlock maze where you could definitely lose your way if you aren’t paying attention.

Hartness3

Listening to the Moon at the Hartness Library                                                 ©Elizabeth Fram

On our way to the sculpture garden, we stopped at the East Gallery of the Hartness Library in Randolph, VT to view my current show Listening to the Moon, which consists of pieces that are a reflection of my long-held interest in Japanese gardens. The library is a gem of a building and worth visiting in its own right, set on a hill with lovely views from the adjacent parking lot. The large windows in the gallery open the room up to the surrounding, overhanging trees, bringing the outdoors inside, extending the sense of garden. I think the quiet, contemplative nature of the venue suits my work well, while also offering plenty of indirect natural light for viewing.

Hartness1

©Elizabeth Fram

Hartness2

©Elizabeth Fram

If you decide to make the trip to see the show, don’t miss John Snell’s beautiful nature photographs which are exhibiting concurrently in the library’s West Gallery. The aspirations of the pieces in each show complement those of other, so you might think of a trip to see both as a creative “two-fer”.

Would you like to see more photos of the Path of Life Garden? The Dreamy Idealist has a great post.