❖

Here are several things worth sharing that crossed my path this week:

Maine Calling’s podcast episode on The Role of Art in Community. Be sure to check out Pamela Moulton and Peter Bruun’s websites to see their work.

We lost a shining star last Saturday when Faith Ringgold died at 93. Having only known of her painted art quilts, I was amazed to learn of her powerful early-career work. Holland Cotter’s April 15th NYTimes article “Faith Ringgold Perfectly Captured the Pitch of America’s Madness” highlights what a titan Ringgold was. This is a gift link so you should be able to access the article without encountering a paywall.

And finally, the two exhibits I’ve been part of: “Up & Down, In & Out: Embroidery and its Kin” and “Visions of Totality” are closing this weekend at Studio Place Arts and the Highland Center for the Arts, respectively. If you haven’t have a chance to visit in person, the following reviews will give you a nice flavor of both.

After a busy several months, I’m yearning for a break from routine. My solution is to change things up a bit in the studio in lieu of a get-away. I have a couple of new pieces in the pipeline, but I’m not going to rush them. Instead, I’m giving myself the gift of taking a side-step and am devoting some time and energy to experimentation — tweaking familiar processes in new ways, and exploring with completely new materials.

While I generally like the colors and some passages of pattern in this stitched-resist swatch, overall it’s too much of a mish-mash. Next time I’ll try to harness effects that bear repeating, yet with more control and organization.

It’s been something of a happy coincidence that, on a lark, I just happened to check-out Every Tool’s a Hammer by Adam Savage from the library. Riffing on the nuts and bolts and many facets of his life as a maker, Savage (of Mythbusters fame) outlines and affirms the approaches that have contributed to his successes — and just as importantly, to the failures that have eventually led to that success.

Using the same dyes as for the first cloth, this test has a better sense of rhythm and more coherent pattern.

He addresses a variety of techniques that he’s come to rely upon. And speaking directly to the benefits gleaned through periods of methodical exploration and discovery, he acknowledges the inherent and longterm advantages to be found there. More anecdotal than didactic, the wisdom shared is applicable across the board — whether you are a seasoned artist or a young person just starting to find your way.

Inspired by Emma Carlisle, I asked for & received a set of Tombow Dual Brush Pens for Christmas; they’re perfect for this period of stretching. As Savage writes, new tools are a way to explore the space of possibility. Apparently these pens are used quite a bit for calligraphy, but the brush-like tip on one end, which provides a calligrapher with a thick/thin line, allows me to lay in broad swaths of color in a moment or to squeeze into small spaces with its tip. For my purposes it’s both a drawing and a painting tool in one. Some colors are affected by other colors drawn on top, and some aren’t. Adding black and white charcoal pencil extends the possibilities for mark-making and visual texture.

Many of the tenets and discoveries Savage outlines, I (and you too, no doubt) have painstakingly made for myself over the years, so there’s a sense of reassurance in the shared epiphanies. Even so, it turns out to be the perfect companion to my current explorations which are serving up an inevitable share of frustration as I slog through unfamiliar terrain. With that in mind, if you know a young maker, it’s a book that would make an excellent gift for the beginning of their journey.

Because I’m always fighting my natural tendency to work tightly, I love the looseness of this drawing. The Tombow pens make it almost impossible to get too detailed. I have a small 5.5 x 5.5″ Global Art Handbook sketchbook that takes the ink well, without bleeding through the paper or causing it to ripple. It’s a concise size for practicing faces. My set of pens is limited to 10 colors and I find myself reaching for hues I don’t have. Even though I’m trying to be imaginative and play into the limitation, I couldn’t resist ordering some more to fill in the gaps.

Elaborating on the messy reality of making, Savage acknowledges there will be plenty of mistakes along the way, and where you end up will most likely not be the place you’d envisioned when you first began. But he rightly points out that that is why we love making — if we knew exactly how things would turn out, what would be the point? Accommodating and welcoming the inevitable wrong turns and side tangents opens the door to something much greater than initially imagined.

This sketch has ventured into the “overworked danger zone”, but there is something to be said about the depth of color that comes through. Learning by doing is the only answer.

He illustrates this theory with a quote from painter Francis Bacon: “One has intention, but what really happens comes about in working.” And that is the notion I’m hanging onto as I delve into new territory.

❖

Instagram of the Week

Speaking of Emma Carlisle, take a look at her Instagram. There’s something about her use of color and line that conveys a sense of place and of immediacy that I find both soothing and exciting at the same time.

Elizabeth Fram

Eye of the Needle

Tag Archives: Emma Carlisle

Time & Space

❖

Sidestepping Into New Territory

❖