Tag Archives: Ellsworth Kelly

When 1 + 1 = More

Having decided to include both drawings and stitched work in Drawing Threads, I have been thinking quite a bit about multi-disciplinary artists lately. I’m sure their motivations are as varied as the artists themselves, but I do wonder about the thought process of those who choose to divide their energy between mediums.

Divide and Conquer

Divide and Conquer      ©2017 Elizabeth Fram, Stitched-resist Dye and Embroidery on Silk, 14 x 11 inches    Photo: paulrogersphotography.com

The main reason that drawing has become such a mainstay in my own practice boils down to time. Being able to complete a thought and have a sense of accomplishment in one sitting, rather than the days into weeks that large textile pieces require, has propelled my ideas forward much more quickly in both disciplines.

Key Lime Pie

Key Lime Pie     ©2017 Elizabeth Fram,  Ink on Paper, 11 x 8.5 inches

The following is an excerpt on the subject of multi-disciplinary work from an interview with Lisa Ferber on the Huffington Post Blog, 3.21.12

Explore. Don’t feel a need to stick to just one method of self-expression. “You are not just a writer or an artist — you are a creative person, so don’t limit yourself to a particular medium, such as painting, writing, or performing,” says Ferber. “I love being multidisciplinary. I see myself and all people as unlimited creative forces. I always create out of joy, whether it’s with a pen or a brush or in front of a video camera.

With that thought in mind, I’d like to share several of my favorite artists from Instagram who spread their work between more than one discipline.

  • Australian artist Veronica Cay, pairs drawings/paintings with ceramic sculptures. She often incorporates snippets of fabric into both, adding an interesting dimension that — no big surprise — is particularly appealing to me.
Veronica Cay Transgress, Whatever Happened

© Veronica Cay    “Transgress”, 2014 (left)      “Whatever Happened”, 2017 (right)

  • Nigel Cheney is an extraordinary draughtsman from the UK whose eye for detail also translates into a passion for stitch.
Nigel Cheney Hare and Cinquecento

©Nigel Cheney      “Hare”, 2009 (left)      “Cinquecento”, detail 2010 (right)

  • Geninne Zlatkis’ work depicts animals, birds, and plants. She paints their images on paper, tools them into leather, and etches them into the pottery she creates.  She also makes masterful hand-carved stamps. Her stunningly colorful photography captures the New Mexico landscape where she lives and the natural objects she collects from it.
Zlatkis Blue Bird and Leather Cuff

©Geninne Zlatkis     “Blue Bird”, (left)      Leather Cuff, 2015 (right)

  • Zachari Logan, whom I’ve written about before here and here, combines a spectacular drawing practice with equally intriguing ceramic sculptures.
Logan Fountain and Metamorphosis 2

©Zachari Logan       “Fountain I”, hand-built clay body, 4x4x4.5 feet, 2013 (left)       “Metamorphosis 2”, blue pencil on mylar, 10 x 17 inches, 2013 (right)

  • Lynn Chapman is a self-described plein air painter, textile artist, and illustrator from the UK. She is very active with Urban Sketchers. The lines of her drawings are fluid, economical, and very expressive, while her textile pieces celebrate color and marks with an equally flowing feel.
Chapman Ceres Cafe and Landscape

© Lynn Chapman     “Cafe Ceres 11” (left)     “landscape detail” (right)

I’d be remiss if I didn’t also mention friends who balance more than one discipline…

  • Dianne Shullenberger’s textile collages, colored pencil drawings, and sculptural objects are an ongoing expression of her love for nature.
  • Almuth Palinkas is a tapestry artist and painter. Her devotion to beauty is evident in all her work.
  • And Roz Daniels makes striking art quilts that, as with her stunning photographs, depict her strong inclination toward simple geometry.

And of course many, many masters delved into multiple mediums.
One final thought: when you have time, read this article about Ellsworth Kelly’s Temple for Light, which is an inspiring culmination of multidisciplinary achievement and, in many ways, a place to worship the deep waters of creativity.

A Sense of Belonging

I’m always intrigued by the way artists navigate their world, and find reinforcement in the knowledge that even the most celebrated put one foot in front of the other, slogging away in the studio to define their path, just like the rest of us. Living in the digital age, we have a bevy of available resources that allow us to better understand how others approach their work, while simultaneously uncovering similarities between those practices and our own.

1 copy

©2015 Elizabeth Fram

This week I have been reading selected archives from the Penland Sketchbook (blog of the Penland School of Crafts), which led me to the websites of several young artists who have been part of the Penland Core Fellowship program. I was captivated by the work and thought process of Angela Eastman and recommend you treat yourself to some time at her website to see what she is making and to read her well-considered ideas. Bearing in mind the amount of time I devote to placing thousands of hand stitches, I was particularly taken with this quote: “In a society where so much focus is placed on personal gain, I find beauty in the collective efforts of individual marks, and inspiration in the lessons in humility that they teach”.

8 copy

©2015 Elizabeth Fram

I have also begun Richard Shiff’s book Ellsworth Kelly New York Drawings 1954-1962 and am fascinated by his discussion of Kelly’s “…use of drawing by chance…”  In the ensuing essay, Shiff quotes Kelly:  “I realized I didn’t want to compose pictures, I wanted to find them”.  What an engaging thought; it makes total sense to me. I am often struck by the unplanned compositions that appear as I randomly place my larger work within a smaller frame to stretch for stitching. Those unexpected configurations can be surprisingly successful and several times I have discarded more than 50% of a piece in favor of the more effective alternative.

3 copy

©2015 Elizabeth Fram

Finally, I have been binge-listening to Antrese Wood’s podcast Savvy Painter, recently  recommended by my friend and extraordinary painter/draughtsperson Csilla Sadlock, (if you follow only one link here today, make it Csilla’s). Each of Wood’s podcast episodes is filled with down-to-earth nuggets offered by the interviewed artist, who honestly spills the beans about both the high and low points of her/his practice, underlining that hard work and challenges are part of the deal for everyone.

5 copy

©2015 Elizabeth Fram

Not ready to show the full piece yet, the images today are detail shots of what I have been working on this week (basting stitches and all). I am finding that all the elements mentioned above (humility learned through a myriad of stitches, being open to chance, and finding solace in the fact that even the most successful artists toss a certain percentage of finished work) enhance my sense of connection and inspire me as I work, comfortable in the knowledge that I belong to a sort of tribe. I’ll bet you can relate.