Category Archives: Resources

Conquering Isolation

We’re all adjusting.
It may be grasping at straws, but the upside to the challenge of social distancing and remaining at home is that we’re shouldering this together … and virtual cocktail parties are becoming de rigueur.

As I promised last post, the following photos show my progress to date, in living color. This shot is of the piece still folded, pleated, and stitched, fresh from the dye bath.

The stitches removed and the piece ironed open, reveals the dyed pattern. Note that the colors lighten significantly as the fabric dries – a point I have to keep in mind while dyeing.

I feel guiltily lucky that my studio is at home so that my work hasn’t been upended or interrupted. It’s made it much easier for me to forge ahead and to more easily distract myself through the inevitable waves of anxiety we all seem to be experiencing to some degree. Nigel Cheney, an artist whose drawings and stitched pieces always surprise and amaze me, wrote recently, “I live a life of near perpetual self-isolation already…”, a fact that is largely true for many of us whose work requires large spans of solitude.

Because the image was stitched with silk thread, it too absorbs the dye with the silk fabric ground, largely obscuring the image from view.

Selective outlining starts to bring her forward. Varying the line between solid and dashed is a simple but effective way to suggest both depth and translucence.

For the most part, it seems that other artists I speak with aren’t feeling the pinch quite as acutely as those who are usually out and about, interacting with the wider world as a necessary part of their day-to-day. But that isn’t to say we aren’t just as much in need of helpful resources to get us over this hurdle.

As I fill areas in with stitch and work to suggest form, I constantly lean on what I’ve learned, and continue to learn, via cross-hatching in my drawings. Although there are obvious differences, there is also a strong relation between the patterns of marks that build up, whether via thread or ink.

No question, a corner is turned when the features are fleshed out and color is added. The piece really began to come to life once the irises of the eyes were added.

The arts community is pulling together on many levels, demonstrating that learning and culture refuse to kneel to COVID-19. What follows are some resources that surfaced this week. I hope you’ll find something in this list that’s helpful to you as you cope.

I am working back and forth between the figure and the background and still have a long way to go.

The Vermont Studio Center (grants, emergency funding, online events and discussions) and Vermont Arts Council (general resources for the creative sector) are compiling ongoing lists of resources for artists and writers affected by the coronavirus. Each of these links will take you to those pages.

I’m sure others of you also received an email from Andrew Simonet of Artists U entitled “Artists, This is What We Train For”. If you didn’t, please follow the link to read what he has to say and then take it to heart. As an artist, you have something unique to offer during times of crisis.
(But that said, don’t let it stress you out. Here’s a humorous response to the currently popular tidbit that Shakespeare wrote King Lear during a time of plague.)

Danny Gregory and Sketchbook Skool are offering a free Coronavirus Creativity Guide, including live drawing sessions every weekday on YouTube and FaceBook.

Urban Sketchers London, who by definition usually draw outside on location, have posted the Thirty Day Indoor Sketch Challenge with 30 proposed prompts. If you’ve been meaning to begin a sketch habit, this a great time to start.

Museums and galleries are closed and observing social distancing, but you can tour some of the world’s most famous museums for free without leaving home. No crowds or inconvenient hours to get in your way.

Alyson Stanfield is adapting her Art Biz Podcast to the current situation with new episodes specifically geared toward helping artists weather the COVID-19 storm. The most recent episode, “Structure Your Days to Be in Control of Your Art Business Now”, discusses adaptable work habits that take into account the challenges that being confined to home may have on your practice.

Need a lift? On his blog Still Learning to See, Photographer John Snell shares his view of the world through stunning photographs and insightful musings. There’s no better time to be reminded of the beauty and wonder that surrounds us each day, while keeping in mind our shared humanity.

And finally, a good book is always a great way to escape the news cycle. I am currently deep in The Golden Thread – How Fabric Changed History by Kassia St. Clair, and am fascinated by the details she unearths about the importance textiles have held throughout history and across cultures.

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Please check in to let me know how you’re doing. I’d love to hear what coping mechanisms you’ve put in place and the bright spots you’re discovering along the way. And there’s always the question: what are you reading?

We’re all in this together.
Be well, be smart, and be safe.

Lessons Learned

These past two weeks I’ve been on a mission to finish up this piece that I’ve been working on since September. With so many other irons in the fire, I haven’t been reporting on its progress regularly, but I’m happy to say I am finally finished and feeling richer for the lessons learned along the way.

The first, and sadly unsuccessful, version of the chess king

To bring you up to speed: The two halves (the king and the queen) were worked separately since the whole piece is larger than the frame I use for stretching cloth while stitching. The king was completed at the end of October, and the queen in the beginning of December. I was not able to see and compare all parts of the piece while working, so it was a bit of an ugly surprise to discover that the king on the left (which had been stitched first and that I was quite satisfied with when completed) just didn’t hold up next to the queen on the right. In fact it seemed to almost disintegrate into its background. So many hours of work! What to do?

Tools of the trade, along with a big pile of removed stitches.

Lesson #1: Take a break. Time away from the studio during the holidays provided the necessary breathing room to figure out a solution to such a discouraging challenge. With fresh eyes, I could easily recognize the hard reality of what was needed to pull the figure out from its background. Note to self: a hazard of working so closely and in such fine detail is forgetting to get regular distance from the work to be sure it reads as correctly from afar as it does at close range. Always step back mid-process.

Picking out stitches is a painstaking and delicate process, but ultimately worth the time.

The way to fix it lay in two things:
Lesson #2: Contrast. My original intent was to keep the king’s side red – hoping that the threads I chose were dark enough to suggest the black pieces of a chess set. But unfortunately, the colors were so analogous to the background that it just became a muddle. However, even though this iteration didn’t work out in the long run, I made some unrelated but fruitful discoveries along the way that will carry forward into future work…i.e. a benefit of deliberate practice (keep reading).

The piece with all the stitches removed except for (look closely) that one red section on the middle-left of the figure. Leaving it in place seemed right.

And Lesson #3: Let go – or “murder your darlings” as advised by Arthur Quiller-Couch.* It seems a no-brainer now that undoing the original, and re-stitching the figure in blue, was the proper answer.

With this small bit done, I can see I’m on the right track.

In relation to these points, two things come to mind.
First, Austin Kleon wrote a post in 2015 on the relationship between “input” and “output” There are many ways that his theory can be stretched to serve whatever issues may currently challenge you in the studio, but I think the most cogent point is that we need to continually feed ourselves with input in order to strengthen our output. Answers lurk in unexpected places.

Blue king, finished

Its partner, the white queen

And secondly, with that fact in mind the other idea that has resonated for me as I’ve been working my way past this particularly sticky wicket comes from the book Talent is Overrated, one of my best picks from 2019.
In it, Geoff Colvin outlines the importance of “deliberate practice” as a necessary ingredient in the success of any professional standout. He discusses exactly what that means and how it is applicable before, after, and during the work itself. “Meta-cognition” is the fancy term he gives to the art of close self-observation while one works, identifying it as the path to pushing oneself forward. Discoveries are sometimes serendipitous, as written in Making it Work, but I think repetition through practice (as I have seen by completely reworking this chess king) remains the gold standard.

House Divided (Mitch & Nancy), ©2020 Elizabeth Fram, 18 x 24 inches, Stitched-resist dye and embroidery on silk. Granted, this is a working photo, but boy does it point out how important it is to hire a professional to capture the best image (shout-out to Paul Rogers Photography). Even so, you get the idea. A bit of back-story on the chess pieces: They are part of a wooden set I discovered a number of years ago that belonged to my grandfather. He died when I was very young, so I have limited memories of him. Lovely (to my eye), while a bit crudely made, I took a lot of photos at the time, finding the shapes and their shadows quite intriguing.

It isn’t enough to capture a likeness or create a pleasing image. We need to continually study, not just others’ work to try to figure out why they made the choices they did and how it added to their success, but it’s important to apply equal curiosity to our own thought processes and decisions along the way. Think of it as another route to learning the necessary lessons that ultimately elevate our individual output.

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Threads of Truth

If you will be in Chicago in the next weeks, consider a trip to the Zhou B Art Center to see Threads of Truth, curated by Sergio Gomez. My piece “Hell Freezes Over” will be among the work in the exhibition.

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Finally, three resources for your listening pleasure:

Margaret Sheridan and Louise Fletcher of the Art Juice podcast ask and discuss the important question How Do You Define Success?.

And, since most of us can’t get to Berkeley, CA very easily, check out Slow Fiber Studios’ podcasts recorded from their lecture and event series. Among other things, the topics covered include natural dyes and textile conservation by some of the world’s top experts.

*Check out Darlingside, who coined their name from Queller-Couch’s quote. For wonderful music to work by, filled lush melodies and superpower harmonies, give a listen.

Clearing The Decks

When I look back through the last 5 years of December posts, I can see a slow progression toward coming to grips with the fact that, due to all the extra chores surrounding the holidays, this has evolved into a month of reflection, reassessment, and planning ahead rather than business-as-usual production. And maybe that isn’t such a bad thing.
My 2017 post Don’t Forget to Check Your Rearview is a jumping-off point for how you might do the same.

Before

After weeks of juggling various projects, I finally devoted a full day last weekend to clearing the decks throughout my studio — a big job, but one that will help this coming January get off to an efficient start. It wasn’t until after I’d had my purge-and-organize session that I discovered Alyson Stanfield’s lastest Art Biz podcast with Fiona Valentine: 5 Simple Steps to an Organized Studio. If a studio clear-out is coming up on your calendar, give this a listen, keeping in mind Fiona’s counsel that a messy studio costs you time, money and productivity.

After

It may not look it, but this is an “after” shot too.

Back to School

It’s that time of year again.
And while not formally, in my own way I too have gone back to school in an effort to keep my drawing from getting too rusty while I wait for our life drawing sessions to start back up in September. The school I’m referring to is proko.com, a deep well of lessons, videos, demonstrations, and anatomy resources created by drawing instructor Stan Prokopenko. It’s a terrific source of solid information with the added advantage of bending to the convenience of my erratic schedule.

My goal has been to concentrate on hands, which I find one of the most challenging elements to draw. But, as I methodically make my way through promo.com’s free library of lessons that span from rock-bottom basics through figure drawing, portrait/head drawing, and the anatomy of the human figure, it’s quickly become obvious that rather than just polishing up some rough edges, I’ve only just begun to scratch the surface of the expanse of what I need to learn and the work I have ahead of me. It’s daunting, but it’s also very exciting and should keep me busy for a good long while if I stick with it.
For other resources on drawing hands, see this post.

The other thing I really wanted to accomplish during this time that our sessions are on hiatus is to experiment with different papers to see if there is one that stands out as most appealing to my sensibilities and style of drawing. The fact that the subject matter in these practice drawings is relatively repetitious has opened the door to discovering nuances of difference between the various papers I’ve selected. Key questions I’m keeping in mind are: is the paper hard or soft? can I lay down a very light line and still achieve a decent dark? how much will marks smudge? and is it possible to erase without damaging the surface of the paper? Another issue to address will be how each paper receives color, but I’m just going to worry about graphite for now.

If you’re interested, Prokopenko and fellow art instructor Marshall Vandruff have an amusing and enlightening podcast called Draftsmen that touches on a variety of drawing-related subjects.

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I love when the stars seem to align.
We visited the Museum of Fine Arts in Montreal last weekend and one of the first pieces I came across was Cuban artist Yoan Capote’s Abstinence (Freedom) from 2014. It was particularly resonate for obvious reasons.

The piece is quite moving for its meditation on questions of freedom and migration — bronze hand casts of anonymous migrant workers sequenced to spell in sign language the word “Libertad” (Liberty). It also drills home the inherent expressiveness of hands, and in turn their capability to stand in for us as individuals. Capote describes the work as a “metaphor about the absence of voice or the incapacity of decision of common people in front of different aspects of society”.

Abstinence (Freedom), detail, Yoan Capote

Abstinence (Freedom), detail, Yoan Capote

Quite a poignant statement, don’t you think?

10 Best Finds From 2018

This year I have finally surrendered to the fact that December is a period of limited hands-on studio work. There are just too many holiday details and business-related organizational tasks that need to get done so, rather than beating myself up over lack of production, I’m going to embrace that approach and actually write it into my plan for 2019.

For one who straddles left brain/right brain thinking rather than falling solidly into either camp, I’m actively working to accept the reality of December in a positive way — not least for the comfortable element of rhythm it contributes to the year’s end. Among many other things, this final week of the year caps off thirty-one days of reflection about the past eleven months – what worked and what didn’t, and of course plenty of excitement as I look ahead.

Mulling over 2018, here are the “10 Best” that I either found or was introduced to this year:

Stonehenge paper – This reasonably-priced workhorse is acid-free, 100% cotton, and comes in sheets or pads. It accepts a variety of media, wet and dry. I like its smooth surface and solid weight.
Saral Transfer paper – As I wrote in my March 8th post, I learned about this product from Michelle Kingdom’s interview on textileartist.org. It’s a great option for transferring an image to fabric. Because it’s available in both light and dark colors, it is possible to use with either dark or light fabrics. The only con is that it is extremely fugitive (a good thing in the long run), so you have to handle the transferred image very gingerly so as not to rub it off too early.
I learned about jazz musician Tommy Flanagan from one of my life drawing mates. Find him on Pandora or Spotify for hours of fabulous background music for drawing, writing, or just plain thinking!
What would I do without podcasts to listen to throughout long stretches of stitching? Here are three that have become my new “go-to’s”:
- But That’s Another Story with Will Schwalbe. Asking the question ‘can one story change the course of your life?’ these one-on-one discussions cover the moments and the books that most affected each creative interviewee (mostly writers).
- Just The Right Book! with Roxanne Coady. As a bookseller with an online book subscription service by the same name, Coady caters to individual tastes. Her podcast is a series of in-depth discussions with authors that are much more than a mere recap of their writings. Try this fascinating episode with author/historian Joseph Ellis: What the Founding Fathers Would Say About America Today
- Revisionist History with Malcolm Gladwell. If you’ve read any of Gladwell’s books you will appreciate his penchant for above-and-beyond research. This series reinterprets something from the past: a person, event or idea…something, as Gladwell puts it, overlooked or misunderstood.
My Modern Met – A feast of art and design
Sun Star Delde Slide Pen Pouch – This little number is compact, yet I can fit 36 colored pencils in it — and then some. It has a water-resistant lining with a pocket, and the best feature is it doubles as a mobile stand-up holder.
HAND/EYE Magazine – Yes, I’m biased because they recently published my article Paying Attention, but I hadn’t heard of HAND/EYE before the editor contacted me, so I had no idea what I was missing. Because of the brevity of the articles, it’s perfect for dipping into for a quick read and it’s a tremendous resource for learning about the wide scope of though-provoking work currently being made.
The Faraway Nearby by Rebecca Solnit – This was the first book I read in 2018 and, aside from art books, it is the only one of the many that followed it that I expect to return to in 2019. It is beautiful literary non-fiction that balances feeling both personal and universally resonate in the connections it draws between us all. I plan to reread it slowly and considerately.

As a parting shot, should you need a boost as you deliberate how to manifest your creative aspirations next year, read Vermont painter Susan Abbott’s inspiring post ‘Choices’.

Best wishes for your creative and productive 2019!

Save It For a Rainy Day

The garden is peaking, the weather has been fantastic, and visitors are making their way to our hill. The beauty of summer has finally settled in.

That said, inspiration for writing has been hard to come by this week. In the spirit of getting us all away from our computers and on to other things, let me offer five arty distractions that may pique your interest in the weeks ahead:

Podcast: “Unspooled” – Actor, comedian, writer, producer Paul Sheer and film critic Amy Nicholson make their way through the American Film Institute’s top 100 movies, dissecting iconic scenes, talking to artists and experts to find out how these films got made and what makes them so special.
Book: The Dressmaker of Khair Khana by Gayle Tzemach Lemmon The story behind an entrepreneur of extraordiary courage, Kamila Sidiq, an Afghani woman who supported her family and many other women with her dressmaking business during the Taliban’s rule of Kabul.
Blog: The Jealous Curator – Curated contemporary art. Her tagline: “Turning jealousy into get-your-ass-back-in-the-studio inspiration”. She also has a podcast.
Movie / Documentary: The Art of Forgery A fascinating documentary about the forger Wolfgang Beltracchi, available through Netflix
Television: PBS series Civilizations

Black Beauty

Happy Thanksgiving! Here we are again in the midst of another holiday season…
To put a new spin on the black in Black Friday (and maybe to give you an idea of something to add to your holiday wishlist), I’m saluting one of my trustiest art supplies.

Platinum Carbon Ink

Blacker than black, lightfast, and quick-drying, Platinum Carbon ink has become indispensable to my daily drawing ritual. I have a converter in my Lamy Safari fountain pen which allows me to refill the pen directly from the bottle, a cost effective and environmentally friendly alternative to cartridges. Reviews mention that because this ink is pigment based it contains fine particles of carbon, meaning you should clean your pens frequently.

Hmmm… I haven’t done that. Maybe I’ve escaped any issues because I use my pen pretty much daily, but it would probably be smart for me to follow through on that chore before refilling the next time.

There is a lot to be said for the beauty and deceptive simplicity of a black line. It has the power to sensitively convey weight, value, texture, and gesture while supplying a lifetime of lessons for those willing to delve into its nuances. For a jump-start, explore this link to 10 pen and ink drawing techniques and tips. Also, Alphonso Dunn’s book Pen & Ink Drawing is a terrific beginner’s resource.

As time has passed I’m seeing how much what I’ve learned through my drawings has influenced and benefitted my textile work. Exploring the relationship between marks made with ink and those created via stitches is the fertile ground where discoveries take place.

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It wouldn’t be right to let you go without thanking you for continuing to check in with me here week after week, and for letting me know when a point of discussion strikes a chord with you in one way or another. Whether you weigh in publicly or privately, I am always grateful for your thoughts. The greatest reward of this blog has been knowing how much company I have on this journey.

Hard as it is to believe, this marks my 155th uninterrupted week of posts. If you have found Eye of the Needle helpful, please share it! As a special thank you, enjoy this free download of important resources that have been the most fruitful in guiding me in my practice.

Road Trip

If you haven’t had an opportunity to travel through the Atlantic Provinces of Canada, add them to your destination list.

Last week we carved a fun & relaxing loop by driving up to Quebec City, skirting the top of Maine, then descending to bisect New Brunswick while making our way to Halifax, Nova Scotia. We hopped onto the ferry in Yarmouth for the last leg, bringing us back to the US via Portland, Maine.

It was a week of beautiful scenery, non-existent traffic, and delicious farm-to-table food and microbrews accented with abundant fresh seafood — all fused with local civic appreciation for the arts, walking trails and lovely gardens at every stop.

Opportunities to draw have become a treasured part of vacationing for me, my sketchbooks being the most enduring and powerful of souvenirs.

It was a happy discovery to notice that Canadians don’t seem to be surgically connected to their cellphones as is so ubiquitous here. I feel like we hardly ever saw anyone walking and talking or texting, and restaurants seemed to be virtually mobile-free.

While it made sketching people a bit more challenging, it was lovely not to have the same bend of the neck and hand placement on each and every subject, not to mention avoiding being a captive third party in a conversation you want no part of.

In addition to the omnipresent public art that Canadians apparently and appropriately feel is an important investment in their quality of life, we caught several wonderful exhibitions that I will share next week; I hope you’ll return to read about them.

On A Different Note______________________________________________________________________________

My piece “Dichotomy” will be showing on home turf through the end of November in the upcoming exhibit Fabric of Our Lives at the Grange Hall Cultural Center here in Waterbury Center. The opening is Sunday, October 1 from 3-5pm. I would love to see you there!

Fabric of our lives postcard

If you are local, keep your eyes and ears peeled for future offerings at The Grange. Our community is very lucky to have a creative venue that offers something for everyone: theater, music, exhibitions, workshops, yoga classes, etc.

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And finally, I just discovered the 10 Minute Writer’s Workshop podcast. The name says it all, each episode is a short and sweet glimpse into the process of a wide variety of well-known writers. The ideas are valuable for writers and readers alike. You can find it on iTunes.