{"id":7299,"date":"2020-09-10T14:00:44","date_gmt":"2020-09-10T14:00:44","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=7299"},"modified":"2020-09-10T12:34:09","modified_gmt":"2020-09-10T12:34:09","slug":"small-things-adding-up-to-big-things","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/small-things-adding-up-to-big-things\/","title":{"rendered":"Small Things Adding Up To Big Things"},"content":{"rendered":"

There isn’t much in my process that quite matches the excitement of undoing the resist stitching or wrapping that was painstakingly put in place before a dye bath. Wonderful surprises are always revealed.<\/p>\n

\"Dye1\"<\/p>\n

Sure, there are things one can do to nudge the process along; with time one learns about the various ways colors will mix and how multiple layers will absorb (or not absorb) the dye. But there are also rich rewards in the tiny unexpected passages that appear through pure kismet.<\/p>\n

\"Dye<\/p>\n

As with any venture, outcomes always vary in success. But without fail, there is at least one area of wonder to be found in each piece, even if only a couple of square inches within a whole yard of fabric.<\/p>\n

\"Dye6\"<\/p>\n

Working on my little houses, especially the ones without embroidery, has given me an opportunity to appreciate and highlight some of the more beautiful passages of pattern and color that might get overlooked in a bigger field. Spotlighting those sections within the small parameters of a wall or a roof is somewhat akin to opening the curtains in a dark room, allowing light and color from outside to burst through the window frame into the space, emphasizing individual elements that might not be noticed if you were sitting outdoors with the full scope of your vision in front of you.<\/p>\n

\"Dye2\"<\/p>\n

Along this vein of paying attention to small areas for their particular visual interest (sorry for the semi-awkward segue here), in addition to the fact of bigger matters surrounding the post office, I am worried about what I think of as one of the best (and smallest) elements the USPS has to offer: the postage stamp.\u00a0Aside from being a way to dress up the mail by adding a little art to the pedestrian, stamps are one of the most public and cost effective ways that we honor our artists in this country.<\/p>\n

\"Dye4\"<\/p>\n

My father taught me to appreciate stamps years ago, so I am always on the lookout for something beyond the generic American flag to elevate my personal snail-mail. Most recipients probably never notice, but my choice is the final bit of care that finishes any hand-written note.<\/p>\n

\"Asawa<\/p>\n

What a pleasure it was to walk into my local PO branch last week and to buy a 20-stamp sheet of 10 different miniature images of the lyrical work of Ruth Asawa<\/a>.<\/p>\n

Since our son moved to the Bay Area in 2015, I’ve crossed paths with numerous Asawa works. Perhaps the most memorable being a permanent installation of 15 of her pieces in the Education Tower of The de Young Museum in Golden Gate Park.<\/p>\n

\"De

Asawa installation in the Nancy B. and Jake L. Hamon Education Tower of The de Young Museum, San Francisco \u00a0 Photo credit: ruthasawa.com<\/a><\/p><\/div>\n

There has been a lot written about Asawa concurrent with the issuing of these stamps. This recent article by Thessaly La Force<\/a> in the NY Times is quite comprehensive. Asawa is yet another female artist who created consistently throughout her long life, forging ahead despite little recognition, and in tandem with the consuming business of raising a family of six children, becoming an educator, and being an activist. Imprisoned as a teenager in Japanese internment camps, she endured prejudice and racism but never saw herself as a victim. She just kept moving forward. Her recognition as an American Master is long overdue.<\/p>\n

\"Asawa

Ruth Asawa, detail<\/p><\/div>\n

Below are several Asawa quotes that are particularly resonant for me. They hold a lot of wisdom. Hopefully you will find something in them that rings true for you as well.<\/p>\n

\n

It’s important to learn how to use your small bits of time. All those begin to count up. It’s not the long amounts of time you have that are important. You should learn how to use your snatches of time when they are given to you.<\/p>\n

Sculpture is like farming. If you just keep at it, you can get quite a lot done.<\/p>\n

I am able to take a wire line and go into the air and define the air without stealing from anyone. A line can enclose and define space while letting the air remain air.<\/p>\n

An artist is not special. An artist is an ordinary person who can take ordinary things and make them special.<\/p><\/blockquote>\n

\u2756<\/span><\/p>\n

This weekend marks the 28th South End Art Hop<\/a> in Burlington, with curated exhibitions to follow for the next 1-3 months. As with so many happenings right now, this year’s Art Hop will primarily be a digital event with as many in-person portions as possible. Visit the link above to learn more and for the full program guide and schedule.<\/p>\n

I have two pieces in the affiliated 2020 SEABA Art Hop Juried Show<\/strong>:<\/p>\n

\"Relative

“Relative Distance” \u00a92020 Elizabeth Fram<\/p><\/div>\n

and<\/p>\n

 <\/p>\n

\"Cultivating

“Cultivating An Oasis” \u00a92020 Elizabeth Fram<\/p><\/div>\n

You can see them and\u00a0preview the show now.<\/a>\u00a0Please return to vote for\u00a0the People’s Choice Award<\/em>, which will go live on that link Friday 09\/11 at noon through Sunday 09\/13 at 7pm<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

There isn’t much in my process that quite matches the excitement of undoing the resist stitching or wrapping that was painstakingly put in place before a dye bath. Wonderful surprises are always revealed. Sure, there are things one can do to nudge the process along; with time one learns about the various ways colors will […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[216,21,862],"tags":[1182,1181,18,1184,1179,1183,1180],"class_list":["post-7299","post","type-post","status-publish","format-standard","hentry","category-artists","category-discussion","category-textiles-and-drawings","tag-de-young-museum","tag-detail","tag-dye","tag-juried-show","tag-ruth-asawa","tag-seaba-art-hop","tag-us-postage-stamps"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/7299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=7299"}],"version-history":[{"count":5,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/7299\/revisions"}],"predecessor-version":[{"id":7334,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/7299\/revisions\/7334"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=7299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=7299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=7299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}