{"id":6897,"date":"2020-04-23T14:12:07","date_gmt":"2020-04-23T14:12:07","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=6897"},"modified":"2020-04-23T14:12:07","modified_gmt":"2020-04-23T14:12:07","slug":"hoarding-color","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/hoarding-color\/","title":{"rendered":"Hoarding Color"},"content":{"rendered":"

As I was scrolling through Instagram recently, the colors of this painting by Carol Gillott stopped me in my tracks. There may be science to explain my attraction; the roofs, chimney pots, and building facades are, after all, based upon a triad of primaries. But I’m not sure that accounts entirely for the immediate emotional impact that this little piece and other color combinations stir up in me.<\/p>\n

\"Paris

Carol Gillott, writes the blog\u00a0Paris Breakfast.<\/a>\u00a0Her caption for this piece says it all: “Like Paris cats we’re stuck at home, looking out the window…waiting.”<\/p><\/div>\n

Over the years I have cut out and saved hundreds of images from magazines and catalogs, taken countless photos, and even have a box filled with scraps of paired fabrics, all the result of being seduced by the effect of various side-by-side colors<\/a>.<\/p>\n

 <\/p>\n

\"Crabs\"<\/p>\n

 <\/p>\n

\"Table\"<\/p>\n

 <\/p>\n

\"Windows\"<\/p>\n

 <\/p>\n

\"Circles\"<\/p>\n

 <\/p>\n

My hoard is partly for inspiration, but it has also become something of retreat, a place of escape that requires nothing from me — not even thinking.<\/p>\n

 <\/p>\n

\"Delphinium\"<\/p>\n

 <\/p>\n

\"Hyacinth\"<\/p>\n

 <\/p>\n

\"Quilt\"<\/p>\n

 <\/p>\n

It’s a collection that celebrates color for it’s own sake, recognizing the power that different hues have upon each other. One might make a comparison to the way\u00a0that a chorus of diverse voices brings richness and depth to a concert that just isn’t the same with a soloist.<\/p>\n

 <\/p>\n

\"Citrus\"<\/p>\n

 <\/p>\n

\"Scarf\"<\/p>\n

 <\/p>\n

\"Shoreline\"<\/p>\n

 <\/p>\n

\"Bookseller<\/p>\n

 <\/p>\n

I’ve rotated some of these images in an effort to make them a bit more ambiguous; I’d rather you didn’t see them as “things”.<\/p>\n

 <\/p>\n

\"Oslo\"<\/p>\n

 <\/p>\n

\"Pamela<\/p>\n

 <\/p>\n

\"Persicaria\"<\/p>\n

 <\/p>\n

\"Fire\"<\/p>\n

 <\/p>\n

Instead, dive deeply into the colors alone.<\/p>\n

 <\/p>\n

\"Strripes\"<\/p>\n

 <\/p>\n

\"Sofa\"<\/p>\n

 <\/p>\n

\"Tulip\"<\/p>\n

 <\/p>\n

\u2756<\/span><\/h1>\n

I didn’t have the opportunity to see the much revered Hilma af Klint exhibition Paintings For The Future<\/strong> at the Guggenheim Museum last year. However, due to the coronavirus shutting independent theater doors, a documentary about af Klint and her work, Beyond the Visible: Hilma af Klint<\/em><\/a> can now be seen via streaming in “virtual theaters” (cost $12). It’s available through numerous venues, giving you a choice of which one you’d like to support. While not the same as visiting the work in person, this film finally gives a little-known and ground-breaking artist her due, shedding light on her tremendous oeuvre and the sheer force of her vision. Among other elements, I find her use of color captivating.<\/p>\n

https:\/\/www.youtube.com\/watch?v=dRFzfVFmrKM<\/p>\n","protected":false},"excerpt":{"rendered":"

As I was scrolling through Instagram recently, the colors of this painting by Carol Gillott stopped me in my tracks. There may be science to explain my attraction; the roofs, chimney pots, and building facades are, after all, based upon a triad of primaries. But I’m not sure that accounts entirely for the immediate emotional […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,862],"tags":[1154,1150,1153,1152,1151],"class_list":["post-6897","post","type-post","status-publish","format-standard","hentry","category-color","category-textiles-and-drawings","tag-beyond-the-visible","tag-carol-gillott","tag-documentary","tag-hilma-af-klint","tag-paris-breakfast"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/6897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=6897"}],"version-history":[{"count":5,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/6897\/revisions"}],"predecessor-version":[{"id":6949,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/6897\/revisions\/6949"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=6897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=6897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=6897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}