{"id":5909,"date":"2019-07-25T17:46:57","date_gmt":"2019-07-25T17:46:57","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=5909"},"modified":"2019-07-25T17:46:57","modified_gmt":"2019-07-25T17:46:57","slug":"drawing-ghosts","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/drawing-ghosts\/","title":{"rendered":"Drawing Ghosts"},"content":{"rendered":"

I’ve been searching online and on Instagram to see how different artists are incorporating graphite into their work. For the most part, what seems to surface leans strongly toward photo-realism. In fact, sometimes you have to look twice to be sure a given image isn’t a photograph.
\nFrankly, I’m not interested in that approach.<\/p>\n

\"Antlers\"

\u00a92019 Elizabeth Fram, 26 x 20 inches, Graphite on paper<\/p><\/div>\n

I’m much more intrigued and inspired by the fact that, as a medium, graphite makes it possible to accentuate line for line’s sake. I’m not concerned with achieving a smoothly polished drawing. Rather I prefer immediacy and rawness, qualities that I think make for a far more exciting result. The work of Stefan Zsaitsits<\/a> is a perfect example. Explore his site to see the scope of his skills in portraying a beautiful image while never letting you forget that it is made from line. Graceina Samosir<\/a> is another artist whose use of graphite is really exciting.<\/p>\n

For the past several months I’ve been using Legion Stonehenge<\/a>, a paper I bought for its sturdy and smooth surface. The problem is, even with the same tools I’ve been using all along, I’m finding it is much more difficult to get the fuller range of values that was possible on the lesser quality Bienfang heavyweight drawing paper I was using before the Stonehenge. Somedays I feel like I’m drawing ghosts.<\/p>\n

\"Antlers,

detail, \u00a92019 Elizabeth Fram<\/p><\/div>\n

I tend to use a .03 lead that leans toward the harder end of the spectrum because I want to maintain a very fine point throughout a concentrated build-up of crosshatching. I need to be sure those individual lines maintain their integrity. But I’m not fond of the resulting washed-out appearance.<\/p>\n

I’m going to see what will happen by trying a selection of different papers. Hopefully one will have just enough tooth to get a richer drawing without compromising the sense of line I want to maintain.\u00a0Our life drawing sessions are on hiatus for the next 6 weeks, which will give me some time to experiment.<\/p>\n

\"Wisp\"

\u00a92019 Elizabeth Fram, 26 x 20 inches, Graphite on paper<\/p><\/div>\n

\u2756<\/span><\/h1>\n

Humor and familiarity. One artist (Gerard Mas<\/a> of Barcelona), two different bodies of work — both on My Modern Met. See and enjoy for yourself: wooden animals<\/a>\u00a0emerging from tree trunks & reimagined Renaissance women.<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

I’ve been searching online and on Instagram to see how different artists are incorporating graphite into their work. For the most part, what seems to surface leans strongly toward photo-realism. In fact, sometimes you have to look twice to be sure a given image isn’t a photograph. Frankly, I’m not interested in that approach. I’m […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[44,1017,862],"tags":[1026,1029,1027,1024,1025,1028],"class_list":["post-5909","post","type-post","status-publish","format-standard","hentry","category-drawing","category-materials","category-textiles-and-drawings","tag-bienfang-heavyweight-paper","tag-gerard-mas","tag-graceina-samosir","tag-graphite","tag-legion-stonehenge-paper","tag-stefan-zsaitsits"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5kO5z-1xj","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=5909"}],"version-history":[{"count":5,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5909\/revisions"}],"predecessor-version":[{"id":5949,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5909\/revisions\/5949"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=5909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=5909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=5909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}