{"id":5879,"date":"2019-07-18T21:38:03","date_gmt":"2019-07-18T21:38:03","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=5879"},"modified":"2019-08-15T15:14:45","modified_gmt":"2019-08-15T15:14:45","slug":"back-and-forth","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/back-and-forth\/","title":{"rendered":"Back and Forth"},"content":{"rendered":"

The more I juggle between stitched pieces and drawings, the more I appreciate the power of their influence upon each other.<\/p>\n

\"Stage

I thought it might be interesting to see 5 stages of both a drawing and a stitched piece, side-by-side as they progress. The drawing begins with a very hard lead so I’m afraid it’s a challenge to see here, a fact amplified by its reduced size. You can see its details much more clearly in this post<\/a>.<\/p><\/div>\n

It’s definitely an ongoing challenge to give each its due in a given week, and I’m sure that fact delays my progress in each. But the strong similarity between the way an image is built in one discipline really helps me work through the hurdles I encounter within the other.<\/p>\n

\"Stage

The drawing is 24 x 18 inches, whereas this stitched piece is about 10 inches square<\/p><\/div>\n

The upside is it’s a two-way street: having two objectives may slow me down, but working both mediums in tandem ultimately seems to push me further than if I were pursuing only one.<\/p>\n

\"Stage

I like working in layers because it lets me build up an image gradually.<\/p><\/div>\n

I’ve written before about artists I admire who work across disciplines<\/a>, but only by doing so myself have I been able to truly see the returns materialize.<\/p>\n

\"Stage

There is definitely a lot to be said for the oomph of color that comes easily with dyes and thread. Yet I am also attracted to the subtlety of line which I feel conveys just as much, albeit with a quieter voice.<\/p><\/div>\n

Advantages weave back and forth between the two, each lending a fresh perspective on the qualities that interest me: texture, color, value, pattern…and not to be forgotten, all-important composition – whether encased in an imaginary frame defined by the edges of the paper or within a framework of shibori pattern that is as much a part of the overall piece as the subject.<\/p>\n

\"Stage

And then you reach a point where it feels like everything that can be, has been said.<\/p><\/div>\n

\"Katharine\"

Katharine \u00a0 \u00a0<\/strong> \u00a92019 Elizabeth Fram 24 x 18 inches, Graphite and Verithin pencil on paper<\/p><\/div>\n

\"Finished\"

June’s Trophy<\/strong> \u00a0 \u00a92019 Elizabeth Fram, 10 x 10 in., Stitched-resist dye and embroidery on silk<\/p><\/div>\n

\u2756<\/span><\/h1>\n

Summer Reading:
\n<\/strong><\/em>I love the premise behind this list of 20 books featuring seasoned female protagonists<\/a> from Modern Mrs. Darcy<\/a>. \u00a0I’ve read and enjoyed a handful of them, so I know her recommendations are reliable.<\/p>\n

My mother was a great reader and an inveterate article-clipper, as perhaps yours is, or may have been, as well. She never missed an opportunity to share something she found interesting or that she thought I should read. And it seems I have inherited that gene, as my kids will attest. But the happy flip side of that is they also share articles and book titles with me<\/em>!
\nIf you’re looking to liberate yourself by taking control of your devices, rather than letting them control you, check out Cal Newport’s Digital Minimalism<\/a>, courtesy of my son. It’s a speedy read, but very wise and equally as worthwhile.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The more I juggle between stitched pieces and drawings, the more I appreciate the power of their influence upon each other. It’s definitely an ongoing challenge to give each its due in a given week, and I’m sure that fact delays my progress in each. But the strong similarity between the way an image is […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,862],"tags":[299,46,413,8,1023],"class_list":["post-5879","post","type-post","status-publish","format-standard","hentry","category-discussion","category-textiles-and-drawings","tag-cal-newport","tag-drawing","tag-modern-mrs-darcy","tag-stitching","tag-working-across-disciplines"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=5879"}],"version-history":[{"count":6,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5879\/revisions"}],"predecessor-version":[{"id":6029,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5879\/revisions\/6029"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=5879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=5879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=5879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}