{"id":5790,"date":"2019-06-27T17:20:24","date_gmt":"2019-06-27T17:20:24","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=5790"},"modified":"2019-06-27T17:20:24","modified_gmt":"2019-06-27T17:20:24","slug":"palm-reading","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/palm-reading\/","title":{"rendered":"Palm Reading"},"content":{"rendered":"

Life drawing has plenty of challenges, but capturing hands has been one of the biggest for me. That said, I really feel that including them in a portrait tells a much fuller story than head and shoulders alone. In many ways, they can be seen as a portrait (or self-portrait) unto themselves.<\/a><\/p>\n

\"Scott's

\u00a92019 Elizabeth Fram<\/p><\/div>\n

Several resources that have helped me begin to understand the basic, universal structure of a hand and the intricacies of all its joints and angles, are:<\/p>\n

The Human Figure, Life Drawing for Artists<\/strong><\/a> by John H. Vanderpoel \u00a91935
\nHow to Draw Hands – The Ultimate Guide<\/a><\/strong> by Matt Fussell, online article
\nand my personal favorite:\u00a0The Hand<\/strong>, by Jon deMartin, Drawing Magazine<\/em>, Winter 2015, order a digital copy here<\/a><\/p>\n

\"Nick's

\u00a92019 Elizabeth Fram<\/p><\/div>\n

As with most things, there’s no substitute for practice. And beyond keeping the basic building blocks of palm and fingers in mind, I find the most helpful approach, once the overall gesture and contour have been blocked in, is to forget altogether that I’m drawing a hand and to concentrate instead on breaking down the whole into smaller and smaller components, constantly comparing shape to minuscule shape, while repeatedly looking back-and-forth between multiple landmarks of both positive and negative space. There is just no substitute for comparing placement and size to other elements already drawn. Even though it’s natural to get ahead of yourself, thinking you understand what comes next and where it should be, invariably if you don’t double-check, your work will need to be readjusted.<\/p>\n

\"Rings\"

\u00a92019 Elizabeth Fram<\/p><\/div>\n

That’s not to say I don’t have a good kneadable eraser that gets plenty of use, but it’s a strategy that does seem to help achieve a more successful outcome.<\/p>\n

\"Basket\"

\u00a92019 Elizabeth Fram<\/p><\/div>\n

\u2756<\/span><\/h1>\n

There is still time – barely<\/em> – to go see Janet Van Fleet’s<\/a> exhibit “Vanishment” at the Vermont Supreme Court Gallery<\/a> in Montpelier. It closes on June 28th (today if you’ve received this post via email). If you can somehow squeeze in a visit, you won’t be disappointed. This particular body of Van Fleet’s work addresses the dire impact humans are incurring on other species. Profound yet accessible, it is also visually striking. Read Pamela Polston’s comprehensive review<\/a> in Seven Days<\/strong><\/em> for an overview.<\/p>\n

\"Van

The Beginning<\/strong>\u00a0 \u00a0 \u00a0\u00a91998\/2018, \u00a0Janet Van Fleet, \u00a0Mixed Media<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Life drawing has plenty of challenges, but capturing hands has been one of the biggest for me. That said, I really feel that including them in a portrait tells a much fuller story than head and shoulders alone. In many ways, they can be seen as a portrait (or self-portrait) unto themselves. Several resources that […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[44,862],"tags":[251,971,1007,252,1008,1010,1009,260],"class_list":["post-5790","post","type-post","status-publish","format-standard","hentry","category-drawing","category-textiles-and-drawings","tag-hands","tag-janet-van-fleet","tag-john-vanderpoel","tag-jon-demartin","tag-matt-fussell","tag-pamela-polston","tag-seven-days","tag-vermont-supreme-court-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5kO5z-1vo","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=5790"}],"version-history":[{"count":5,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5790\/revisions"}],"predecessor-version":[{"id":5812,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5790\/revisions\/5812"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=5790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=5790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=5790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}