{"id":5461,"date":"2019-04-18T13:16:39","date_gmt":"2019-04-18T13:16:39","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=5461"},"modified":"2019-04-18T13:16:39","modified_gmt":"2019-04-18T13:16:39","slug":"the-dialects-of-line-color-texture","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/the-dialects-of-line-color-texture\/","title":{"rendered":"The Dialects of Line, Color & Texture"},"content":{"rendered":"

A picture is worth a thousand words.
\nWith that in mind and as promised, here is a sampling from the opening of The Dialects of Line, Color, and Texture<\/strong><\/em>, my current show with Elizabeth Billings and Frank Woods.<\/p>\n

\"The<\/p>\n

\"Frank

The following photos were taken before any guests showed up. Once they did, things got busy. I am so sorry that Elizabeth hadn’t arrived yet to be in this photo with us.<\/p><\/div>\n

\"Shadow

In addition to line and color, “surface design” (coloring, patterning, and transforming materials with an eye toward textural qualities) is an undeniable meeting point between Frank’s paintings and my dyed and stitched work. Sharing wall space seems very natural. As you look through the following pictures, enjoy discovering the similarities, despite our vast differences.<\/p><\/div>\n

\"Elizabeth

Nimbus, \u00a9Elizabeth Billings<\/p><\/div>\n

Anyone who makes and exhibits art knows the thrill of seeing it hanging on a gallery wall. And while solo shows have their advantages, the magic of this exhibition lies in the undercurrent of “conversation” between our three separate voices, creating an interaction where the whole can be seen as greater than the sum of its parts. Kudos and thanks to curator Maureen O’Connor Burgess for finding the thread of that conversation and moderating it in such a way that makes our work shine — individually and together.<\/p>\n

\"Vacuum<\/p>\n

\"Dawn<\/p>\n

\"Caught<\/p>\n

\"Summer<\/p>\n

\"Pick<\/p>\n

\"Ulysses'<\/p>\n

\"Evening<\/p>\n

\"Divide&Conquer,<\/p>\n

\"Taking<\/p>\n

Without a doubt, the most rewarding part of an opening involves face-to-face dialogue with viewers. Not only is it a chance to explain the stories behind the work which has consumed so many hours, so much thought, and heart, but it is also an opportunity to get the work (and ourselves) out of the vacuum of the studio to see our ideas standing on their own. And when the work engages others in such a way that they can draw a connection between what you’ve made and a part of themselves you would otherwise never know, well, that is truly the cherry on top.<\/p>\n

*All images \u00a9 Elizabeth Billings, Frank Woods, and Elizabeth Fram<\/p>\n

\u2756<\/span><\/p>\n

I still haven’t sat down with a Louise Bourgeois biography yet, but I ran across this compilation of her thoughts on how to be an artist<\/a>, and feel they are well-worth sharing.<\/p>\n","protected":false},"excerpt":{"rendered":"

A picture is worth a thousand words. With that in mind and as promised, here is a sampling from the opening of The Dialects of Line, Color, and Texture, my current show with Elizabeth Billings and Frank Woods. Anyone who makes and exhibits art knows the thrill of seeing it hanging on a gallery wall. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[83,862],"tags":[945,944,925,949,950],"class_list":["post-5461","post","type-post","status-publish","format-standard","hentry","category-exhibitions","category-textiles-and-drawings","tag-elizabeth-billings","tag-frank-woods","tag-louise-bourgeois","tag-maureen-oconnor-burgess","tag-the-dialects-of-line-color-and-texture"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=5461"}],"version-history":[{"count":5,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5461\/revisions"}],"predecessor-version":[{"id":5499,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/5461\/revisions\/5499"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=5461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=5461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=5461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}