{"id":4162,"date":"2018-04-12T13:51:56","date_gmt":"2018-04-12T13:51:56","guid":{"rendered":"http:\/\/www.elizabethfram.com\/Blog\/?p=4162"},"modified":"2018-04-12T13:51:56","modified_gmt":"2018-04-12T13:51:56","slug":"arriving-at-complexity-via-simplicity","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/arriving-at-complexity-via-simplicity\/","title":{"rendered":"Arriving At Complexity Via Simplicity"},"content":{"rendered":"

What is it about pattern that is so seductive? Perhaps it’s that its regular rhythms lure us into a sense of comfort through the predictability of repetition. Or could it be the visual jolt that keeps us on our toes as we bump into the places where those rhythms break with a change of direction, color, or image?<\/p>\n

\"Sample<\/p>\n

This week I have been working up a sample piece for a workshop I will soon be presenting for a group of high school art students. Without being sure what their previous stitching experience (or even exposure) has been, I am planning to concentrate on the deceptively simple running stitch.<\/p>\n

\"Sample<\/p>\n

Like following the dashes of the broken white line down the middle of the road to destinations unknown, I hope they will become excited by the wide scope of pattern-making possibilities to be found by simply drawing a thread up and down along a line.<\/p>\n

\"Sample<\/p>\n

The running stitch has a rich history around the world, represented in part by Kantha embroidery<\/a> of eastern South Asia, Japanese Sashiko<\/a>, and traditional American hand-quilting<\/a>.\u00a0 Numerous contemporary artists, such as Christine Mauersberger<\/a>, Sue Stone<\/a>, and Mary Ruth Smith<\/a>,<\/a>\u00a0(and even yours truly) continue to mine its possibilities in their work, offering plenty of inspiration to set any budding stitch artist on her way.<\/p>\n

\"Sample<\/p>\n

Beyond that, by having them concentrate on the most basic of stitches, my main goal is that the students will come away with a better understanding of the truism that I depend upon so heavily in my own practice: Limitations, self-imposed or otherwise, often provide our greatest opportunities for growth and creativity<\/em>.<\/p>\n

\"Finished

Running stitch sampler<\/strong>\u00a0 \u00a0 \u00a0\u00a92018 Elizabeth Fram, 10 x 10 inches, Thread on canvas<\/p><\/div>\n

Several artists I admire who use pattern to great advantage are Jane Newland<\/a>, Eleanor Annand<\/a>, Emily Barletta<\/a>, and Arounna of Bookhou<\/a>. Who would you recommend?<\/p>\n

On a Different Note______________________________________________________________________________<\/em><\/strong><\/span><\/p>\n

Looking for a great non-fiction read that has nothing to do with art? Try Lab Girl by Hope Jahren<\/a>, a funny, poignant memoir of a scientist who just happens to write beautifully. It’s my latest favorite.<\/p>\n","protected":false},"excerpt":{"rendered":"

What is it about pattern that is so seductive? Perhaps it’s that its regular rhythms lure us into a sense of comfort through the predictability of repetition. Or could it be the visual jolt that keeps us on our toes as we bump into the places where those rhythms break with a change of direction, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[729,9],"tags":[739,733,737,738,732,741,736,730,740,735,731,734],"class_list":["post-4162","post","type-post","status-publish","format-standard","hentry","category-pattern","category-stitching-2","tag-bookhou","tag-christine-mauersberger","tag-eleanor-annand","tag-emily-barletta","tag-hand-quilting","tag-hope-jahren","tag-jane-newland","tag-kantha-embroidery","tag-lab-girl","tag-mary-ruth-smith","tag-sashiko","tag-sue-stone"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5kO5z-158","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/4162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=4162"}],"version-history":[{"count":15,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/4162\/revisions"}],"predecessor-version":[{"id":4183,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/4162\/revisions\/4183"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=4162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=4162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=4162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}