{"id":3334,"date":"2017-08-03T15:21:25","date_gmt":"2017-08-03T15:21:25","guid":{"rendered":"http:\/\/www.elizabethfram.com\/Blog\/?p=3334"},"modified":"2017-08-03T15:21:25","modified_gmt":"2017-08-03T15:21:25","slug":"swept-away","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/swept-away\/","title":{"rendered":"Swept Away"},"content":{"rendered":"

Process is everything.<\/p>\n

Every now and then I read or hear something surrounding the creation of a work of art that is beyond inspiring. Subject matter or medium is immaterial; there is just an undeniable and infectious pull in the raw and magnetic enthusiasm laid out in the story of how a work came to be.<\/p>\n

At the risk of seeming overly dramatic, I dare you to listen to this just-shy-of-12-minutes interview<\/a> between Terry Gross<\/a> of Fresh Air and Ray Manzarek<\/a>, keyboardist for The Doors, without getting swept away by Manzarek’s passionate description of the collaborative development and arrangement of The Doors’ iconic song “Light My Fire<\/a>“. You’ll never hear it again in the same way.<\/p>\n

Here’s a teaser: John Coltrane, Johann Sebastian Bach, and the rhythms of Latin music were integrally involved. Wow! There’s nothing else to be said but enjoy<\/em>!<\/p>\n

\u2756<\/span><\/h2>\n
\"First

For the new piece begun this week, I thought it might be interesting to first under-dye the silk before beginning the mokume process<\/p><\/div>\n

 <\/p>\n

\"Second

Next the threads were drawn up and deeper colors were added as usual.<\/p><\/div>\n

 <\/p>\n

\"Stitches

The results after removing the threads. We’ll see how things work once the stitching begins.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Process is everything. Every now and then I read or hear something surrounding the creation of a work of art that is beyond inspiring. Subject matter or medium is immaterial; there is just an undeniable and infectious pull in the raw and magnetic enthusiasm laid out in the story of how a work came to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[561,560,559,557,556,558],"class_list":["post-3334","post","type-post","status-publish","format-standard","hentry","category-process","tag-johann-sebastian-bach","tag-john-coltrane","tag-light-my-fire","tag-ray-manzarek","tag-terry-gross","tag-the-doors"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/3334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=3334"}],"version-history":[{"count":7,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/3334\/revisions"}],"predecessor-version":[{"id":3345,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/3334\/revisions\/3345"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=3334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=3334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=3334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}