{"id":3088,"date":"2017-05-25T19:57:11","date_gmt":"2017-05-25T19:57:11","guid":{"rendered":"http:\/\/www.elizabethfram.com\/Blog\/?p=3088"},"modified":"2017-05-25T19:57:11","modified_gmt":"2017-05-25T19:57:11","slug":"serendipity","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/serendipity\/","title":{"rendered":"Serendipity"},"content":{"rendered":"

During my first months at college the world began to crack open.
\nTaking the obligatory introductory courses, each as different from the others as you might expect, I remember coming back to my room one afternoon and realizing that, despite their apparent disparity, threads of information were weaving together and overlapping such that a web of connection was beginning to form. Rather than merely providing separate pockets of information to be remembered\u00a0for the inevitable test, a pathway was suddenly opening toward seeing the world as a unit composed of links and associations layered upon each other, offering a widened and enriched viewpoint reliant upon that interdependence. It was a seminal moment that has stayed with me.<\/p>\n

\"The

The Rainbow<\/strong> \u00a91967 Marc Chagall<\/p><\/div>\n

Since then, it’s always a joy when\u00a0unexpected associations appear between seemingly unrelated events\/subjects, the discovery of which\u00a0elevates the routine with a bit of the magical. Visiting Montreal this past weekend was one of those occasions when serendipity held the reins. Partway through the weekend I realized that the three major events we attended could not have been more interconnected, even though I wouldn’t have thought so\u00a0at the onset.<\/p>\n

\"\"

VOLTA Cirque du Soleil \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>photo credit: Patrice Lamoureaux<\/p><\/div>\n

First, Cirque du Soleil<\/a> never, ever, disappoints. An example of sensory enrichment on overload, the troupe’s mastery of color, light, sound and daring physical feats is unsurpassed. At a time when I sometimes feel\u00a0we are sadly in danger of building immunity to a state of wonder, due mainly to our media-driven saturation of deadly events and despicable behavior world-wide, it is utter pleasure to put aside any jaded perspectives for a couple of hours in order to experience the pure joy of human creativity. The current show, Volta<\/a><\/em>, “is a story of transformation. It is about being true to oneself, fulfilling one’s true potential, and the power of the group to make that possible. It celebrates freedom as a movement”.<\/p>\n

\"Dancer

Costume design for Daphnis and Chloe: Dancer with Tambourine<\/strong> \u00a91958 Marc Chagall<\/p><\/div>\n

In hindsight it makes total sense\u00a0that, in the midst of the surplus of\u00a0color and visual excitement on view in\u00a0Chagall: Colour and Music<\/a>\u00a0at the Mus\u00e9e des Beaux-Arts, I began to draw parallels with what I had seen under\u00a0the big tent the night before. So much more than a chronological compilation of a lifetime’s work, the Chagall retrospective is also an extravaganza of color, light, sound (Chagall’s lifelong devotion to music was an integral part of his work), and daring physical feats — as seen in the trapeze artist below, or in\u00a0the\u00a0soaring lovers so often associated with his work.<\/p>\n

\"The

The Blue Circus<\/strong> \u00a91950-52 Marc Chagall<\/p><\/div>\n

Standing in a room devoted to paintings of the circus, the proverbial lightbulb went on as I realized that Chagall, who had escaped to the United States just in advance of World War II, created art that offered a source of respite and joy amid a world seemingly run amok. And similar to\u00a0Cirque du Soleil, his work honors the principle Volta<\/em> espouses: being wholly true to oneself. Reading the following quote on the wall of a gallery filled with Chagall’s circus collages and paintings made the connection with Cirque du Soleil all the more meaningful:<\/p>\n

\n

The Circus as a Metaphor for the World
\nDepictions of the circus, present in the imagery of Chagall’s earliest creations and an essential theme until the end of his life, arose from his vision of the world firmly rooted in Hasidism. This branch of Judaism conceives of the world as a game of divine will and apprehends God through overflowing joy, ecstasy, singing, dancing, music and acrobatics. For Hasidim, clownishness and humor are the incarnation of spiritual values that ensure the salvation of humanity. Traveling performers and musicians enlivened religious celebrations with their little shows in which biblical themes were intermingled with comic interludes, pantomimes and humorous plays accompanied by music.<\/p>\n

\"Chagall

Marc Chagall<\/p><\/div><\/blockquote>\n

And while I was aware that Chagall had worked with stained glass toward the end of his life (read about the windows he created for the Art Institute of Chicago in this post<\/a>), there was much I didn’t realize. He also designed tapestries and was a sculptor and a ceramicist. His love of opera ultimately pulled him from a deep depression and an inability to create after the sudden death of his first wife. His return to work involved\u00a0designing extensive costumes and sets for multiple operatic and balletic productions, culminating in the\u00a0creation of a nearly 2,600 square foot painting that now graces the ceiling of the Paris Opera House. Immersed in his colorful world, which honored music as much as visual art, the fact that he had synesthesia makes perfect sense.<\/p>\n

\"Fox

Fox costume<\/strong> designed for the ballet Aleko, Marc Chagall<\/p><\/div>\n

As a\u00a0final nod to the power of imagination and creative spectacle, we were incredibly fortunate that our visit coincided with the weekend that the giant marionettes of Royal de Luxe<\/a>\u00a0(a street theater company based in Nantes, France) roamed the streets of Montreal as part of its 375th birthday celebration. Leaving the Chagall exhibition, we made it to the Place des Arts just in time to get a ‘ring-side’ seat for the arrival of the Deep Sea Diver. Despite his enormity (50 ft.?), he was spectacularly deft as he strode into the square with eyes that blinked and seemed to look right at you. The acrobatics of 20-30 handlers, swarming over him like Lilliputians, brought him to life, enabling his movements via pulleys and ropes. They did nothing to break the spell he cast on the crowd and I don’t think I’m being too dramatic to say we could all only gasp in awe to be in the presence of a living giant.<\/p>\n

\"Deep

The Deep Sea Diver arrives at Place des Arts, Montreal<\/p><\/div>\n

\"Deep

Deep Sea Diver by Royal de Luxe<\/p><\/div>\n

The word circus derives from the Greek\u00a0kirkos<\/em>, meaning “circle” or “ring”. How appropriate that these three exhibitions formed an unexpected circle of connection between each other, looping back and forth in their collective presentations of color, light, sound, and daring physical feats. And how serendipitous to have experienced them all in a single weekend.<\/p>\n

\u2756<\/span><\/h1>\n

The exhibition Chagall: Color and Music<\/em> runs through June 11, 2017<\/p>\n

Cirque du Soleil Volta<\/em> will be on view in Montreal through July 23<\/p>\n","protected":false},"excerpt":{"rendered":"

During my first months at college the world began to crack open. Taking the obligatory introductory courses, each as different from the others as you might expect, I remember coming back to my room one afternoon and realizing that, despite their apparent disparity, threads of information were weaving together and overlapping such that a web […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[21,83],"tags":[517,514,492,291,515,516],"class_list":["post-3088","post","type-post","status-publish","format-standard","hentry","category-discussion","category-exhibitions","tag-chagall-color-and-music","tag-cirque-du-soleil","tag-marc-chagall","tag-musee-des-beaux-arts-de-montreal","tag-royal-de-luxe","tag-volta"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5kO5z-NO","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/3088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=3088"}],"version-history":[{"count":26,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/3088\/revisions"}],"predecessor-version":[{"id":3123,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/3088\/revisions\/3123"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=3088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=3088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=3088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}