{"id":2248,"date":"2016-09-01T19:13:29","date_gmt":"2016-09-01T19:13:29","guid":{"rendered":"http:\/\/www.elizabethfram.com\/Blog\/?p=2248"},"modified":"2016-09-01T19:13:29","modified_gmt":"2016-09-01T19:13:29","slug":"censorship-is-not-okay","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/censorship-is-not-okay\/","title":{"rendered":"Censorship is Not Okay&#8230;"},"content":{"rendered":"<p style=\"text-align: justify;\">&#8230;but is unfortunately alive and well.<\/p>\n<p style=\"text-align: justify;\">Last month <a href=\"https:\/\/kathynida.com\/about\/\" target=\"_blank\">Kathy Nida&#8217;s<\/a> art quilt &#8220;I Was Not Wearing a Life Jacket&#8221;, part of a <a href=\"http:\/\/www.saqa.com\/\" target=\"_blank\">Studio Art Quilt Associates&#8217;<\/a> (SAQA) traveling exhibition entitled <em><strong>People and Portraits<\/strong>, <\/em>was pulled from the <a href=\"http:\/\/www.americanquilter.com\/\" target=\"_blank\">American\u00a0\u00a0Quilter&#8217;s Society<\/a> display during Quilt Week in Grand Rapids, MI by AQS management. Furthermore, AQS decided that the piece would be removed altogether from traveling further with the exhibit, despite having already shown in four other AQS venues without complaint. <a href=\"https:\/\/kathynida.com\/tag\/i-was-not-wearing-a-life-jacket\/\" target=\"_blank\">You can view the piece here.<\/a><\/p>\n<p style=\"text-align: justify;\">The controversy surrounds a non-existent penis that was imagined by one, or several, very upset viewer(s) &#8212; exactly how many has not been definitively ascertained. The complaints apparently were forceful enough\u00a0that the show&#8217;s management summarily removed Nida&#8217;s work\u00a0from the exhibit. The overwhelming irony is that the piece depicts only women, so said anatomical feature simply does not exist within this artwork. It adds insult to injury that Nida&#8217;s second piece in the show was also removed, not because it was found offensive in any way, but because each exhibiting artist in the show contributed two pieces, and it was deemed inappropriate to display only one piece by Nida.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/craftsanity.com\/about\/\" target=\"_blank\">Jennifer Ackerman-Haywood of CraftSanity<\/a> has written a\u00a0concise recap of the controversial situation and includes a podcast interview with Nida, which can be found <a href=\"http:\/\/craftsanity.com\/2016\/08\/craftsanity-podcast-episode-189-the-case-of-the-phantom-penis-artist-kathy-nida-responds-to-having-quilt-removed-from-aqs-show-in-grand-rapids\/\" target=\"_blank\">here<\/a>. SAQA&#8217;s board of directors offered <a href=\"http:\/\/www.saqa.com\/weblog\/?p=2352\" target=\"_blank\">their synopsis and response<\/a>. The <a href=\"http:\/\/craftindustryalliance.org\/how-aqs-mishandled-the-online-fallout-from-pulling-kathy-nidas-quilts\/\" target=\"_blank\">Craft Industry Alliance\u00a0discusses the aftermath<\/a>, outlining how\u00a0AQS further bungled the situation by refusing to address the outcry until 10 days after\u00a0the piece had been pulled from the show, and even then with a woefully insufficient statement from\u00a0Bonnie Browning, the Executive Show Director for AQS.<\/p>\n<p style=\"text-align: justify;\">I find it extremely distressing, though sadly not surprising, that such a blatant misperception would be allowed to deprive other viewers the opportunity to assess for themselves the merits (or lack thereof) found within such thought-provoking imagery. And while it&#8217;s disgraceful that such antiquated viewpoints are allowed to take precedence over reason, thank goodness we can openly express our scorn for such provincialism and outright censorship.<\/p>\n<p style=\"text-align: justify;\">Finally, if you have questions about your rights under the First Amendment, <a href=\"http:\/\/www.artistrights.info\/\" target=\"_blank\">Artist Rights<\/a> is a\u00a0resource that was created to provide\u00a0answers.<\/p>\n<h4 style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><em><span style=\"color: #008080; text-decoration: underline;\">On a Much Lighter\u00a0Note&#8230; \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/em><\/span><\/h4>\n<div id=\"attachment_2258\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2258\" class=\"wp-image-2258\" src=\"http:\/\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2016\/08\/Quinn-1024x650.jpg\" alt=\"Quinn\" width=\"500\" height=\"317\" srcset=\"https:\/\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2016\/08\/Quinn-1024x650.jpg 1024w, https:\/\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2016\/08\/Quinn-300x190.jpg 300w, https:\/\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2016\/08\/Quinn-768x487.jpg 768w, https:\/\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2016\/08\/Quinn-624x396.jpg 624w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><p id=\"caption-attachment-2258\" class=\"wp-caption-text\"><strong>Quinn<\/strong>\u00a0 \u00a0 \u00a0\u00a92016 Elizabeth Fram<\/p><\/div>\n<p style=\"text-align: justify;\">After a lonely year, my studio is a happier\u00a0place with the arrival of a new model and goofy partner in crime.\u00a0Gentle snores and a thumping tail once again provide\u00a0the comforting background music I have been sorely missing.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;but is unfortunately alive and well. Last month Kathy Nida&#8217;s art quilt &#8220;I Was Not Wearing a Life Jacket&#8221;, part of a Studio Art Quilt Associates&#8217; (SAQA) traveling exhibition entitled People and Portraits, was pulled from the American\u00a0\u00a0Quilter&#8217;s Society display during Quilt Week in Grand Rapids, MI by AQS management. Furthermore, AQS decided that the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[329,333,332,331,330,327,334,328],"class_list":["post-2248","post","type-post","status-publish","format-standard","hentry","category-discussion","tag-american-quilters-society","tag-artist-rights","tag-craft-industry-alliance","tag-craftsanity","tag-jennifer-ackerman-haywood","tag-kathy-nida","tag-quinn","tag-studio-art-quilt-associates"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/2248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=2248"}],"version-history":[{"count":18,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/2248\/revisions"}],"predecessor-version":[{"id":2267,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/2248\/revisions\/2267"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=2248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=2248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=2248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}