{"id":11665,"date":"2024-11-28T08:16:30","date_gmt":"2024-11-28T13:16:30","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=11665"},"modified":"2024-11-28T08:16:30","modified_gmt":"2024-11-28T13:16:30","slug":"first-things-first","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/first-things-first\/","title":{"rendered":"First Things First"},"content":{"rendered":"<p style=\"text-align: justify;\">Happy Thanksgiving!<\/p>\n<p style=\"text-align: justify;\">But first things first&#8230;<br \/>\nI can barely believe that this post marks 10 years and 393 uninterrupted entries here at <em>Eye of the Needle<\/em>! I went back through my archives to reread what I had written in<a href=\"https:\/\/www.elizabethfram.com\/Blog\/beginning-a-conversation-2\/\" target=\"_blank\" rel=\"noopener\"> my very first post on November 29, 2014<\/a> and I&#8217;m happy to say that this project has been, and continues to be, exactly what I had hoped for and outlined all those years ago.<\/p>\n<p style=\"text-align: justify;\">In the spirit of today&#8217;s holiday, thank you &#8212; to the many of you who have been here since Day 1, returning faithfully ever since, and just as sincerely to those of you who have joined me along the way.<\/p>\n<p style=\"text-align: justify;\">With that in mind, I have an announcement:<br \/>\n<strong>To celebrate this anniversary, I am going to take the month of December off<\/strong>.<br \/>\nI&#8217;m looking forward to a break, as well as a chance to re-evaluate how I want to proceed going forward. There may or may not be some tweaks &#8212; we&#8217;ll see. However, this project comes down to two things:<\/p>\n<ol>\n<li style=\"text-align: justify;\">One of the hidden truths of writing regularly about my practice is that it has helped me to better understand my artwork immeasurably, so I do not expect to stop, and<\/li>\n<li style=\"text-align: justify;\">Judging from the comments you have shared with me, both here and privately, writing about my discoveries and explorations has opened the door for you to in turn fill me in on the things you have found or are doing. That sense of connection and community is exactly what I was seeking when I began and has made this endeavor so much richer.<br \/>\nSo again, thank you.<\/li>\n<\/ol>\n<p style=\"text-align: justify;\">One last thought: In <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/ep-503-an-unexpected-way-to-spark-creativity\/id969519520?i=1000672326281\" target=\"_blank\" rel=\"noopener\">episode #503<\/a> of her &#8220;Happier&#8221; podcast, Gretchen Rubin addresses an unexpected way to spark creativity which, once she mentioned it, rang very true to me. Creating a demand that has to be met, (e.g. the deadline of publishing a regular post online) fosters creativity. Maintaining this self-imposed commitment has taught me that, while admittedly some weeks may be harder than others, if one sets to work, the ideas never fail to come.<\/p>\n<p><em>Now on to today&#8217;s post.<\/em>..<\/p>\n<p style=\"text-align: justify;\">We celebrated the holiday early this year, in Chicago with our daughter. As is often the case, our trip included a visit to the Art Institute. This time we caught 2 exciting exhibits and had the chance to see a universal icon. Here is a quick recap.<\/p>\n<div id=\"attachment_11668\" style=\"width: 475px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11668\" class=\"wp-image-11668\" src=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Baskets.jpg?resize=465%2C650&#038;ssl=1\" alt=\"Jeremy Frey Baskets\" width=\"465\" height=\"650\" srcset=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Baskets.jpg?resize=733%2C1024&amp;ssl=1 733w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Baskets.jpg?resize=215%2C300&amp;ssl=1 215w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Baskets.jpg?resize=768%2C1073&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Baskets.jpg?resize=624%2C872&amp;ssl=1 624w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Baskets.jpg?w=859&amp;ssl=1 859w\" sizes=\"auto, (max-width: 465px) 100vw, 465px\" \/><p id=\"caption-attachment-11668\" class=\"wp-caption-text\">\u00a9 Jeremy Frey<\/p><\/div>\n<p style=\"text-align: justify;\">First, the spectacular baskets of Passamaquoddy maker <a href=\"https:\/\/jeremyfreybaskets.com\/\" target=\"_blank\" rel=\"noopener\">Jeremy Frey<\/a>, were on display in the show <a href=\"https:\/\/www.artic.edu\/exhibitions\/10212\/jeremy-frey-woven\" target=\"_blank\" rel=\"noopener\">&#8220;Woven&#8221;<\/a>. His work is almost beyond belief in its complexity and innovation. We missed this exhibit at the Portland Museum of Art when we were in Maine last summer, so I&#8217;m grateful to have had a second chance to catch it.<\/p>\n<div id=\"attachment_11669\" style=\"width: 635px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11669\" class=\"wp-image-11669 size-large\" src=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Loon.jpg?resize=625%2C469&#038;ssl=1\" alt=\"Loon Basket Jeremy Frey\" width=\"625\" height=\"469\" srcset=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Loon.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Loon.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Loon.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Loon.jpg?resize=624%2C468&amp;ssl=1 624w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Loon.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><p id=\"caption-attachment-11669\" class=\"wp-caption-text\"><strong>Loon<\/strong> \u00a92020 Jeremy Frey, Ash, cedar bark, porcupine quill on birch bark, and dye<\/p><\/div>\n<p style=\"text-align: justify;\">Every step of every process in his baskets is accomplished by Frey. He thoughtfully selects and fells the trees (mostly ash), then pounds the logs with the back of an ax to separate the growth rings, splitting them into thinner sheets that he then cuts into narrow strips. He uses dyes to incorporate vibrant colors and he further embellishes basket covers by embroidering natural imagery with porcupine quills. His mastery and imagination are breathtaking.<\/p>\n<p>&nbsp;<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"625\" height=\"352\" src=\"https:\/\/www.youtube.com\/embed\/C4TWgYABKSk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>This short video follows Frey throughout much of his process.<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #008080;\">\u2737<\/span><\/h1>\n<div id=\"attachment_11670\" style=\"width: 526px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11670\" class=\"wp-image-11670\" src=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Self-Portrait.jpg?resize=516%2C650&#038;ssl=1\" alt=\"Paula Modersohn-Becker Self-Portrait\" width=\"516\" height=\"650\" srcset=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Self-Portrait.jpg?resize=812%2C1024&amp;ssl=1 812w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Self-Portrait.jpg?resize=238%2C300&amp;ssl=1 238w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Self-Portrait.jpg?resize=768%2C968&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Self-Portrait.jpg?resize=624%2C787&amp;ssl=1 624w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/Self-Portrait.jpg?w=952&amp;ssl=1 952w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><p id=\"caption-attachment-11670\" class=\"wp-caption-text\"><strong>Self-Portrait, Looking Left with Hand on Chin, <\/strong>Paula Modersohn-Becker, 1906, Oil tempera on paper mounted on cardboard<\/p><\/div>\n<p style=\"text-align: justify;\">I hadn&#8217;t heard of <a href=\"https:\/\/www.moma.org\/artists\/4037\" target=\"_blank\" rel=\"noopener\">Paula Modersohn-Becker<\/a> before checking the Art Institute&#8217;s website to see what would be on display during our visit. Seeing her work in <a href=\"https:\/\/www.artic.edu\/exhibitions\/9592\/paula-modersohn-becker-i-am-me\" target=\"_blank\" rel=\"noopener\">&#8220;I am Me&#8221;<\/a>, I was moved by the sensitivity of her painted and, especially, her drawn portraits &#8211; mainly of herself or of other women. Considering she was only 31 when she died of a postpartum embolism, one can&#8217;t help but be awestruck by the intensity of her work, despite her relative youth. What a loss for the art world.<\/p>\n<div id=\"attachment_11691\" style=\"width: 408px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11691\" class=\"wp-image-11691\" src=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/FarmersWife2.jpg?resize=398%2C650&#038;ssl=1\" alt=\"Farmer's Wife Modersohn-Becker\" width=\"398\" height=\"650\" srcset=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/FarmersWife2.jpg?resize=627%2C1024&amp;ssl=1 627w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/FarmersWife2.jpg?resize=184%2C300&amp;ssl=1 184w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/FarmersWife2.jpg?resize=624%2C1019&amp;ssl=1 624w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/FarmersWife2.jpg?w=735&amp;ssl=1 735w\" sizes=\"auto, (max-width: 398px) 100vw, 398px\" \/><p id=\"caption-attachment-11691\" class=\"wp-caption-text\"><strong>Farmer&#8217;s Wife, Seated<\/strong>, Paula Modersohn-Becker, 1899, Charcoal on paper<\/p><\/div>\n<h1 style=\"text-align: center;\"><span style=\"color: #008080;\">\u2737<\/span><\/h1>\n<p style=\"text-align: justify;\">Finally, Hokusai&#8217;s iconic <em><a href=\"https:\/\/www.artic.edu\/artworks\/24645\/under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-as-the-great-wave-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanj%E7%AC%9Brokkei\" target=\"_blank\" rel=\"noopener\">The Great Wave<\/a><\/em> is back on display for a limited period (through January 6). It was a thrill to see an original print in the flesh for the first time. Due to the gallery&#8217;s subdued, protective lighting, I didn&#8217;t even bother to take a picture, choosing instead to just stand and savor.<\/p>\n<div id=\"attachment_11678\" style=\"width: 586px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11678\" class=\"wp-image-11678 size-full\" src=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/TheGreatWaveFull.jpg?resize=576%2C398&#038;ssl=1\" alt=\"The Great Wave\" width=\"576\" height=\"398\" srcset=\"https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/TheGreatWaveFull.jpg?w=576&amp;ssl=1 576w, https:\/\/i0.wp.com\/www.elizabethfram.com\/Blog\/wp-content\/uploads\/2024\/11\/TheGreatWaveFull.jpg?resize=300%2C207&amp;ssl=1 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><p id=\"caption-attachment-11678\" class=\"wp-caption-text\"><strong>Under the Wave off Kanazawa, also known as The Great Wave, from the series &#8220;Thirty-Six Views of Mount Fuji&#8221;<\/strong>, Katsushika Hokusai, 1826-1836, Color woodblock print, 10 x 14-3\/4 inches, image from Art Institute of Chicago website<\/p><\/div>\n<p style=\"text-align: justify;\">For some fun facts, you might enjoy reading <a href=\"https:\/\/www.artic.edu\/articles\/1139\/10-things-to-know-about-the-great-wave\" target=\"_blank\" rel=\"noopener\">10+ Things to Know About <em>The Great Wave<\/em><\/a>. Particularly fascinating: the impact of the work would have been entirely different for Japanese viewers who read from right to left, so likely would have viewed the print that way, as opposed to Western eyes which would have experienced the wave from left to right. Take a look with that in mind and judge for yourself.<\/p>\n<p>Where else but a museum can you pack so much into a couple of hours?<br \/>\nThat&#8217;s all for now.<br \/>\nEnjoy your Thanksgiving and holidays to follow; I&#8217;ll see you in January!<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Happy Thanksgiving! But first things first&#8230; I can barely believe that this post marks 10 years and 393 uninterrupted entries here at Eye of the Needle! I went back through my archives to reread what I had written in my very first post on November 29, 2014 and I&#8217;m happy to say that this project [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1118,21,83,1142,862],"tags":[1474,1592,1590,1591],"class_list":["post-11665","post","type-post","status-publish","format-standard","hentry","category-art","category-discussion","category-exhibitions","category-portraits","category-textiles-and-drawings","tag-gretchen-rubin","tag-hokusai","tag-jeremy-frey","tag-paula-modersohn-becker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5kO5z-329","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/11665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=11665"}],"version-history":[{"count":5,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/11665\/revisions"}],"predecessor-version":[{"id":11709,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/11665\/revisions\/11709"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=11665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=11665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=11665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}