{"id":10059,"date":"2023-06-15T10:46:31","date_gmt":"2023-06-15T14:46:31","guid":{"rendered":"https:\/\/www.elizabethfram.com\/Blog\/?p=10059"},"modified":"2023-06-15T10:46:31","modified_gmt":"2023-06-15T14:46:31","slug":"summer-sampling","status":"publish","type":"post","link":"https:\/\/www.elizabethfram.com\/Blog\/summer-sampling\/","title":{"rendered":"Summer Sampling"},"content":{"rendered":"

5-6 months out of the year our yard looks like some version of this.<\/p>\n

\"Winter\"<\/p>\n

 <\/p>\n

So is it any wonder that when June rolls around, I can’t get enough of it looking like this?!<\/p>\n

\"June<\/p>\n

I am drunk with color these days.<\/p>\n

\"June<\/p>\n

 <\/p>\n

It’s been a fun exercise this week to create color mixes that mimic what’s in bloom right now. This type of sampling helps me to understand color more generally, and my chosen palette more specifically.<\/p>\n

\"June<\/p>\n

For those who, pardon the pun, like to get into the weeds of such things, I was a bit surprised at how many colors I used: 27 separate colors\u00a0in making 28 samples of flowers, leaves and paving stones. To some degree, that feels very over the top and, considering 8 of those colors were only used in one color mix, there is definitely room to fine-tune if I were so inclined.<\/p>\n

\"June<\/p>\n

 <\/p>\n

Overall though, most of the colors I used got a pretty good workout, recurring in many of the mixes – most of which were made up of two and very occasionally three paints. The exception was the paving stones. They all required various combinations of three primaries to achieve their neutral tones.<\/p>\n

\"Basic

These colors are the backbone of my mixes. The biggest surprise for me is how versatile (and “popular”) the Cobalt Blue Deep turned out to be.<\/p><\/div>\n

I find it really handy to have color-mix samples<\/a> like this for reference, so I keep a book full of them that I refer to regularly. I try to make time when I buy a new paint color to play around with it to see how it interacts old favorites.<\/p>\n

Without question, if you live in Northern New England life is better if you actually enjoy the\u00a0subtle hues of late November into deepest winter.<\/a>\u00a0But let’s face it, it’ll be nice to return to these samples when the garden is asleep again, as a reminder of the eye-popping abundance of June.<\/p>\n

\u2737<\/span><\/h1>\n
\"Water,

Elements of Shelter: Water & Fire<\/strong>\u00a0 \u00a0\u00a92023 Thea Alvin, Meg Reinhold, Nick Pattis, Anna Flurri, Sophia Mickelson, Skip Dewhirst and Ben Service, Glass, paint with timber framed structure<\/p><\/div>\n

Since we’re talking color… Have you been to the Vermont Arts Council Sculpture Garden in Montpelier to see the collaborative installation\u00a0Elements of Shelter: Water, Fire, Wood, Earth, Metal?<\/strong>\u00a0Spearheaded by Thea Alvin<\/a> and Meg Reinhold,<\/a>\u00a0it’s a beautiful meditation on two of Vermont’s most immediate challenges: climate change and the housing crisis. The combination of paint with glass is particularly effective; the work absolutely glows in the sunshine. Plus, the craftsmanship of the pieces, including their timber frames, is gorgeous.
\nRead further about the installation and its creators in Seven Days.<\/a> You can follow more of the creation process on Instagram:\u00a0@theasunshine<\/a> and @trilliumhandcrafts<\/a><\/p>\n

\"Elements

Elements of Shelter<\/strong>\u00a0 \u00a92023 Thea Alvin, Meg Reinhold, Nick Pattis, Anna Flurri, Sophia Mickelson, Skip Dewhirst and Ben Service, Glass, paint with timber framed structure<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

5-6 months out of the year our yard looks like some version of this.   So is it any wonder that when June rolls around, I can’t get enough of it looking like this?! I am drunk with color these days.   It’s been a fun exercise this week to create color mixes that mimic […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,83,262,862],"tags":[1440,1439],"class_list":["post-10059","post","type-post","status-publish","format-standard","hentry","category-color","category-exhibitions","category-gardens","category-textiles-and-drawings","tag-color-sampling","tag-elements-of-shelter"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/10059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/comments?post=10059"}],"version-history":[{"count":5,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/10059\/revisions"}],"predecessor-version":[{"id":10092,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/posts\/10059\/revisions\/10092"}],"wp:attachment":[{"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/media?parent=10059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/categories?post=10059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elizabethfram.com\/Blog\/wp-json\/wp\/v2\/tags?post=10059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}