Let’s get philosophical for a moment.
If a tree falls in the forest and there is no one near to hear it, does it make a sound?
Or put another way, if the work of an artist never leaves the studio, is it still art?
I would say yes to both but, re: the art, nothing makes it feel more “real” than getting it out in public and, even better, celebrating it with an opening.
One works hard, mostly in solitude, doing the best one can to crystalize an idea by translating it visually. And while the whole thing may make perfect sense in the moment (and in your own head), it’s actually having the opportunity to see those ideas reflected back through the eyes of others that fully closes the circle.
The opening for Full Bloom at The Satellite Gallery was such a delight. Seeing the series I’ve been chipping away on for the past 2-1/2 years, framed and then considerately organized in context by a skillful curator, is icing on the cake to the joy of making the work in the first place. Add to that a lively and convivial gathering of thoughtfully engaged viewers and you have the proverbial cherry crowning it all.
A huge thank you to the collector of this piece who generously loaned it to the show, allowing all my ladies to be together.
If you’re interested in my frame of reference and the evolution of this series, here are the remarks I gave during the event.
So gratifying to know that The Satellite Gallery is organizing community events around Full Bloom
Full Bloom will be on view through the 4th of July weekend.
✷
And finally, a few summer reading suggestions.
It’s been a happy coincidence that in the midst of pulling together the loose ends for Full Bloom this spring, several of the books I’ve read also center on strong, resilient women. The protagonists of Elizabeth Strout’s Oh William!, Elizabeth O’Connor’s Whale Fall and Sarah Winman’s Still Life, all immersed in navigating life, persist and, each in her own way, triumph.