Happy June! …month of the summer solstice and the Beta Taurids meteor shower.
I am really looking forward to being part of two exhibitions that open this month, one here in Vermont and another in Portland, Maine. No matter the venue, there is always a sense of liberation in getting work out of the studio and in front of public eyes. I am particularly excited about the Maine exhibit because it’s my first opportunity to show in Maine’s “big city”, the town next door to where I grew up.
Wild Fibers, which opens locally on June 2, will be on view through July 9 at the Emile A. Gruppe Gallery in Jericho. It’s a collection of work from members of the Vermont chapter of the Surface Design Association, an international organization focused on “inspiring creativity, encouraging innovation, and advocating for artistic excellence … in textile-inspired art and design”.
We who are part of SDA Vermont are fortunate to have a very active committee that has devoted countless volunteer hours securing and organizing exhibitions across the state in an effort to expose the public to the wide range of possibility that exists within the world of surface design.* I think the growth of our membership can be directly attributed to the success of these shows. I am always amazed at the breadth of skills among our members, so if you have a chance to stop by the Gruppe Gallery in the next 5 weeks, I’m sure you too will be struck by the diversity of work and process on display.
For those of you who might be interested in activist artists who use knitting as a means of voicing their ideas and concerns about the world, let me give a quick plug to my friend and fellow SDA member, Eve Jacobs-Carnahan, who will be presenting the talk “25 Years of Knitters Speaking Out” in conjunction with Wild Fibers. Her talk will be on Friday, June 16th from 6:30-7:30pm, also at the Gruppe Gallery.
Knitters at Town Meeting Day, Waterbury, VT ©2016 Elizabeth Fram
Next week I will be shipping five pieces to Able Baker Contemporary for the upcoming show Selvedge, which runs from June 16 to August 5, 2017. If your travels take you anywhere near Portland this summer, I hope you will stop in. Curator Tessa Greene O’Brien has assembled work from nine artists, all of whom incorporate textiles in their practice while strongly maintaining a fine-art approach. The work is process-driven and carries a strong conceptual component. I’m thrilled to have been included and can’t wait to head to Portland in July to experience the show in person.
Able Baker Contemporary is on the Portland Stage block, within 300 yards of The Maine College of Art, Space Gallery, and Space Studios and the Portland Museum of Art, (where I’m excited to see Hans Hofmann; Works on Paper will be showing from June 16 to September 3), — in other words, a cultural hotbed that, combined with Portland’s fine restaurants and oceanside location, makes for an excellent weekend getaway!
Meanwhile, back to the unglamorous…I am slogging my way through an update of my website, and, as is probably to be expected, it’s way more time-consuming than I’d anticipated. There’s no escaping computer chores! However, to leave you on a happy note, I came across this worthy diversion — a wonderful mix of metaphors and animation by Greg Condon that made me smile; I hope it will amuse you as well.
First Harvest ©2017 Elizabeth Fram
*Surface design encompasses the coloring, patterning, and structuring of fiber and fabric. This involves creative exploration of processes such as dyeing, painting, printing, stitching, embellishing, quilting, weaving, knitting, felting, and paper-making.